01395nam0 22003251i 450 UON0026316520231205103721.75688-317-7684-320050420d2001 |0itac50 baitaIT|||| 1||||Cuore di vetroH. M. van den Brinktraduzione di Franco ParisVeneziaMarsilio2001239 p.21 cmDono Libreria BonardiIT-UONSI OlandFondo Bonardi/022Dono Nederlandes TaalunieIT-UONSI OlandXBRI001UON000358712001 Farfalle MarsilioUON00475496Hart van glas1471596ITVeneziaUONL000039839.31364Narrativa olandese. 1945-199921BRINKHans Maarten : van denUONV133191741382ParisFrancoUONV153196MarsilioUONV246600650ITSOL20250214RICAUON00263165SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI Oland Fondo Bonardi 022 SI 21792 7 022 Dono Libreria BonardiSIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI Oland X BRI SI LO 69193 5 Dono Nederlandes TaalunieHart van glas1471596UNIOR03718nam 22007815 450 991048494790332120250610110105.09783030571498303057149110.1007/978-3-030-57149-8(CKB)4100000011679210(DE-He213)978-3-030-57149-8(MiAaPQ)EBC6437689(Perlego)3481854(MiAaPQ)EBC29092919(EXLCZ)99410000001167921020201223d2020 u| 0engurnn|008mamaatxtrdacontentcrdamediacrrdacarrierShakespeare and Costume in Practice /by Bridget Escolme1st ed. 2020.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2020.1 online resource (XI, 215 p.) Shakespeare in Practice9783030571481 3030571483 Includes bibliographical references and index.1. Chapter One: Introduction -- 2. Chapter Two: Hamlet, Mourning and the Disappearing Costume: Inky Cloaks and Solemn Black -- 3. Chapter Three: Much Ado About Nothing, Restorative Nostalgia and the Costume Drama: Tires and Rebatoes, Corsets and Lace -- 4. Chapter Four: The Post-Colonial Tempest: Costume and Race -- 5. Chapter Five: Conclusion: Practitioner Interviews.What is the role of costume in Shakespeare production? Shakespeare and Costume in Practiceargues that costume design choices are central not only to the creation of period setting and the actor's work on character, but to the cultural, political, and psychological meanings that the theatre makes of Shakespeare. The book explores questions about what the first Hamlet looked like in his mourning cloak; how costumes for a Shakespeare comedy can reflect or critique the collective nostalgias a culture has for its past; how costume and casting work together to ask new questions about Shakespeare and race. Using production case studies of Hamlet, Much Ado About Nothing, and The Tempest, the book demonstrates that costume design can be a site of experimentation, playfulness, and transgression in the theatre - and that it can provoke audiences to think again about what power, race, and gender look like on the Shakespearean stage.Shakespeare in PracticeEuropean literatureRenaissance, 1450-1600TheaterProduction and directionTheaterHistoryCultural industriesTheaterLiteratureHistory and criticismStage managementEarly Modern and Renaissance LiteratureTheatre Direction and ProductionTheatre HistoryTheatre IndustryLiterary HistoryTechnology and StagecraftEuropean literatureTheaterProduction and direction.TheaterHistory.Cultural industries.Theater.LiteratureHistory and criticism.Stage management.Early Modern and Renaissance Literature.Theatre Direction and Production.Theatre History.Theatre Industry.Literary History.Technology and Stagecraft.822.33Escolme Bridget1964-948747MiAaPQMiAaPQMiAaPQBOOK9910484947903321Shakespeare and costume in practice2845345UNINA