00934cam0 22002771 450 SOBE0003372220130530100107.020130530d1975 |||||ita|0103 baitaIT<<Il >>"surplus" economico e la teoria marxista dello sviluppoPaul A. Baran2 edizioneMilanoFeltrinalli1975325 p.22 cm<I >fatti e le idee220001LAEC000175982001 I *fatti e le idee220Baran, Paul A.A600200049582070119660ITUNISOB20130530RICAUNISOBUNISOB33022381SOBE00033722M 102 Monografia moderna SBNM330000033SI22381rovitoUNISOBUNISOB20130530095541.020130530095603.0rovito"surplus" economico e la teoria marxista dello sviluppo486464UNISOB03809nam 22009015 450 991014958000332120210111113334.00-8232-7398-910.1515/9780823273980(CKB)3710000000934844(DE-B1597)555128(DE-B1597)9780823273980(MiAaPQ)EBC4745337(OCoLC)974579745(EXLCZ)99371000000093484420200723h20162018 fg engur|||||||||||txtrdacontentcrdamediacrrdacarrierAll Ears The Aesthetics of Espionage /Peter SzendyNew York, NY : Fordham University Press, [2016]©20181 online resource (176 p.)Frontmatter -- CONTENTS -- (No) More Ears: A Preface to the English- Language Edition -- Translator’s Note -- Entrance: The Spies of Jericho -- Discipline and Listen -- Underground Passage: The Mole in Its Burrow -- In the Footsteps of Orpheus -- Exit: J.D.’s Dream -- NOTES -- BIBLIOGRAPHY The world of international politics has recently been rocked by a seemingly endless series of scandals involving auditory surveillance: the NSA’s warrantless wiretapping is merely the most sensational example of what appears to be a universal practice today. What is the source of this generalized principle of eavesdropping?All Ears: The Aesthetics of Espionage traces the long history of moles from the Bible, through Jeremy Bentham’s “panacoustic” project, all the way to the intelligence-gathering network called “Echelon.” Together with this archeology of auditory surveillance, Szendy offers an engaging account of spycraft’s representations in literature (Sophocles, Shakespeare, Joyce, Kafka, Borges), opera (Monteverdi, Mozart, Berg), and film (Lang, Hitchcock, Coppola, De Palma). Following in the footsteps of Orpheus, the book proposes a new concept of “overhearing” that connects the act of spying to an excessive intensification of listening. At the heart of listening Szendy locates the ear of the Other that manifests itself as the originary division of a “split-hearing” that turns the drive for mastery and surveillance into the death drive.AestheticsEspionageMotion picturesAestheticsMusicPhilosophy and aestheticsOperaBenthamCoppolaDeleuzeDerridaFoucaultKafkaMozartOrpheusespionagesurveillanceMUSIC / History & CriticismbisacshBentham.Coppola.Deleuze.Derrida.Foucault.Kafka.Mozart.Orpheus.espionage.surveillance.Aesthetics.Espionage.Motion picturesAesthetics.MusicPhilosophy and aesthetics.Opera.Bentham.Coppola.Deleuze.Derrida.Foucault.Kafka.Mozart.Orpheus.espionage.surveillance.MUSIC / History & Criticism.327.12Szendy Peter, authttp://id.loc.gov/vocabulary/relators/aut625456Végső Roland1049864DE-B1597DE-B1597BOOK9910149580003321All Ears2585727UNINA01017nam0 22002531i 450 UON0018219820231205103137.16190-268-0898-420030730d1976 |0itac50 baengNE|||| 1||||Judicial protection in the European CommunitiesHenry G. Schermers Devent erKluwer1976 - XVIII,406 p. ; 24 cmSul front. : Europa Instituut Univer sity of AmsterdamCee- Corte di giustiziaUONC036673FIDiritto internazionale privatoManualiUONC037155FISCHERMERSHenry G.UONV1028860ITSOL20250718RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00182198SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI COM B 0028 SI SC 5001 5 0028 Judicial Protection in the European Communities621332UNIOR