00984nam2 22002651i 450 UON0014983320231205102917.61120020107d1974 |0itac50 bajpnJP|||| 1||||Chusei bushidanIshii SusumuTokyoShogakkan1974390 p.ill.20 cm001UON000232742001 Nihon no rekishi210 TokyoShogakkan1977215 32 v.20 cm012JPTōkyōUONL000031GIA IVGIAPPONE - STORIAAISHII SusumuUONV009914635821ShōgakukanUONV247056650ITSOL20240220RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00149833SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI GIA IV 008 (12) SI SA 11605 5 008 (12) Chusei bushidan1206603UNIOR04421nam 22007095 450 991104910730332120260102120858.03-032-05092-810.1007/978-3-032-05092-2(CKB)44770021200041(MiAaPQ)EBC32470459(Au-PeEL)EBL32470459(DE-He213)978-3-032-05092-2(EXLCZ)994477002120004120260102d2025 u| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierScreening Shadows Violence in 21st Century Latin American Cinema /by Maylen Villamañan Alba1st ed. 2025.Cham :Springer Nature Switzerland :Imprint: Palgrave Macmillan,2025.1 online resource (243 pages)Law and Criminology Series3-032-05091-X -- Part 1. Communitas and popular criminology: perspectives for analysing social representations of violence in Latin American cinema -- 1. Social representation, cinema and violence -- 2. Violence as an object of representation: from the image to Latin American context -- 3. Cinema and popular criminology -- Part 2. A study of social representations of violence in Latin American cinema: methodology and results -- 4. Theoretical and methodological approach -- 5. Frame of reference for social representations of violence -- 6. Content analysis and field of representation of violence in films: time, location and character -- 7. Field of social representation and frame of reference: the coexistence of image and context -- 8. Conclusions.This book explores violence in Latin America societies and its social representations in cinema. Just as mass media can legitimize and reproduce patterns and discourses of discrimination, they can also serve to raise awareness and change minds about social issues such as violence and thus enhance citizen participation in social change. This book explores how Latin American cinema portrays its diverse societies, offering theoretical perspectives and research methods for analysing film narratives within their social contexts. The book makes a significant contribution to our understanding of the global logics of production and social reproduction of violence in a twentieth-century context, and it discusses issues of civilisation — barbarism and decolonisation in the Global South. It demonstrates that the visibility of violence and vulnerable groups on the screen can make an impact far beyond academia, shaping public opinion regarding these issues and influencing the audiences. It speaks to social sciences academics and researchers specialising in Latin American studies, media psychology, film studies, and cultural criminology. Maylen Villamañan Alba obtained her Doctorate of Criminology at Vrije Universiteit Brussel (VUB), Belgium, and her Doctorate of Sociology at Universidad Central de Las Villas (UCLV), Cuba. She holds a master's degree in Social and Community Psychology. She is also Associate Professor of Social Psychology, Communication Theory, Cuban Audiovisuals, Prevention and Cultural Sociology at the Universidad Central de Las Villas.Law and Criminology SeriesMass media and crimeGender identity in mass mediaMotion pictures, AmericanCriminal behaviorSexCriminologyCrime and the MediaMedia and GenderLatin American Film and TVCriminal BehaviorGender StudiesResearch Methods in CriminologyMass media and crime.Gender identity in mass media.Motion pictures, American.Criminal behavior.Sex.Criminology.Crime and the Media.Media and Gender.Latin American Film and TV.Criminal Behavior.Gender Studies.Research Methods in Criminology.364.254Villamañan Alba Maylen1885317MiAaPQMiAaPQMiAaPQBOOK9911049107303321Screening Shadows4520511UNINA