01227nam2-2200397---450-99000354045020331620110614152827.0978-0-521-31349-0000354045USA01000354045(ALEPH)000354045USA0100035404520110614d1986----km-y0itay50------baengUS||||||||001yy<<1.:>> <<A>> history of power from the beginning to A.D. 1760Michael MannCambridge [etc.]Cambridge University press1986IX, 549 p.24 cm200120010010003540442001<<The>> sources of social powerPotereBNCF303.3MANN,Michael374903ITsalbcISBD990003540450203316303 MAN 1 171610 G.303 MAN 1/00297242BKECOFIORELLA9020110614USA011525FIORELLA9020110614USA011527FIORELLA9020110614USA011527FIORELLA9020110614USA011528History of power from the beginning to A.D. 17601113690UNISA05421nam 22009973u 450 991078010690332120221221224350.00-415-22098-X1-134-59889-01-280-07022-60-203-36102-4(CKB)111087026879362(EBL)170673(OCoLC)52984061(SSID)ssj0000308015(PQKBManifestationID)11247351(PQKBTitleCode)TC0000308015(PQKBWorkID)10250486(PQKB)10973071(MiAaPQ)EBC170673(EXLCZ)9911108702687936220151005d2003|||| uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierRe-imagining the museum beyond the mausoleum /Andrea WitcombLondon Taylor and Francis20031 online resource (x, 198 pages) illustrationsMuseum MeaningsDescription based upon print version of record.0-203-37778-8 ""Re-Imagining the Museum Beyond the Mausoleum""; ""Copyright""; ""Contents""; ""List of figures""; ""Acknowledgements""; ""Introduction""; ""1 Unmasking a different museum: museums and cultural criticism""; ""Close encounters""; ""2 Floating the museum""; ""Anchoring tourism in maritime museums""; ""Sidestepping the rhetoric""; ""The displacement of the citizen?""; ""3 From Batavia to Australia II: negotiating changes in curatorial practices""; ""The origins of the Western Australian Maritime Museum""; ""Implications for the curatorial culture at the Museum""; ""Conclusions""""4 A place for all of usa?? Museums and communities""""a?A place for all of usa??""; ""Teaching a?civic reforma?: the uses of community galleries""; ""Representation versus production""; ""The role of history and its impact on the curatorial process""; ""Community versus museum: empiricism versus abstraction""; ""Dialogue and cultural policy""; ""Where to now?""; ""5 Beyond the mausoleum: museums and the media""; ""Materialism and the temple as a treasure house""; ""Objects and power""; ""From treasure house to touch screens: the displacement of the object""""Modernity, popular culture and journalism"" ""The museum and the popular press: an Assyrian tale""; ""Tales of Paris""; ""â€?A museum for the global villageâ€?""; ""Media impacts""; ""6 Interactivity in museums: the politics of narrative style""; ""Interactivity and museums""; ""Technological interactivity and its limitations: the Museum of Tolerance""; ""â€?Spatialâ€? interactivity at the Australian National Maritime Museum""; ""Narrative as a design issue""; ""Understanding serial narratives: a media approach""; ""The politics of serial narratives in museums""""Serial narratives and history genres""""Dialogic interactivity at the Museum of Sydney""; ""A little history""; ""Creating dialogue""; ""Beyond the Museum of Sydney""; ""Conclusion""; ""Notes""; ""Bibliography""; ""Index""Re-Imagining the Museum presents new interpretations of museum history and contemporary museum practices. Through a range of case studies from the UK, North America and Australia, Andrea Witcomb moves away from the idea that museums are always 'conservative' to suggest they have a long history of engaging with popular culture and addressing a variety of audiences. She argues that museums are key mediators between high and popular culture and between government, media practitioners, cultural policy-makers and museums professionals. Analyzing links between museums and the media, looking at the rMuseum MeaningsAustraliaCultural policyHistoriographyHistoryMass media and cultureMuseum exhibitsMuseum techniquesMuseumsMuseumsPhilosophyUnited StatesMuseumsHistoryGreat BritainMuseumsHistoryAustraliaMuseumsHistoryMuseum exhibitsHistoriographyMuseum techniquesHistoriographyCultural policyHistoryMass media and cultureHistoryPopular cultureHistoryMuseum PublicationsHILCCGeneralHILCCAustralia.Cultural policy.Historiography.History.Mass media and culture.Museum exhibits.Museum techniques.Museums.MuseumsPhilosophyMuseumsHistoryMuseumsHistoryMuseumsHistoryMuseum exhibitsHistoriographyMuseum techniquesHistoriographyCultural policyHistoryMass media and cultureHistoryPopular cultureHistoryMuseum PublicationsGeneral069Witcomb Andrea1965-.1111748AU-PeELAU-PeELAU-PeELBOOK9910780106903321Re-imagining the museum3810617UNINA01269nam0 22003131i 450 UON0006879120231205102342.7327-384-0014-020020107d1989 |0itac50 bafreFR|||| |||||ˆLes ‰Rgaybat 1610-1934Sophie Caratini Paris : Harmattanc.19892 v.24 cm1: Des chameliers a la conquete d'un territoire 2: Territoire et societeNOMADISahara occidentaleUONC018881FIRGAYBAT (popolo nomade)UONC018880FISAHARA OCCIDENTALEStoriaUONC018882FIFRParisUONL002984307.2POPOLAZIONE / NOMADISMO21CARATINISophieUONV042774657413L'HarmattanUONV246057650ITSOL20251003RICAUON00068791SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI 4 0671/001 SI AA 14038 5 0671/001 SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI 4 0671/002 SI AA 14039 5 0671/002 Rgaybat 1610-19341161768UNIOR