01225nam0 22002891i 450 UON0006235720231205102313.30120020107d1979 |0itac50 bahinIN|||| 1||||NaksalabariPranava Kumara VandhyopadhyayaNai DilliVidhya Prakashana Mandira197996 p.22 cmLETTERATURA HINDIPOESIASEC. XXUONC004703FIINNew DelhiUONL000110SI VI CCSUBCONT. INDIANO - LETTERATURA HINDI - MODERNA E CONTEMPORANEA - POESIAAVANDHYOPADHYAYAPranavakumaraUONV039791654967Vidhya Prakashana MandiraUONV255962650VANDHYOPADHYAY, Pranav KumarVANDHYOPADHYAYA, PranavakumaraUONV091911BANDOPADHYAY, Pranava KumarVANDHYOPADHYAYA, PranavakumaraUONV092201ITSOL20240220RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00062357SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI SI VI Cc 604 SI SA 64405 5 604 Naksalabari1172951UNIOR02619nam 2200661 450 991082703740332120200520144314.01-61058-948-3(CKB)2550000001122694(OCoLC)859385542(CaPaEBR)ebrary10769565(SSID)ssj0001139486(PQKBManifestationID)11702832(PQKBTitleCode)TC0001139486(PQKBWorkID)11213555(PQKB)10386302(Au-PeEL)EBL3399922(CaPaEBR)ebr10769565(CaONFJC)MIL524803(OCoLC)923352732(CaSebORM)9781592538065(MiAaPQ)EBC3399922(EXLCZ)99255000000112269420131010d2013 uy| 0engur|z#---uuuuutxtrdacontentcrdamediacrrdacarrierDesign for information an introduction to the histories, theories, and best practices behind effective information visualizations /Isabel Meirelles1st editionBeverly, MA :Rockport Publishers,2013.1 online resource (226 pages)Bibliographic Level Mode of Issuance: Monograph1-59253-806-1 1-299-93552-4 Includes bibliographical references and index.The visualization process doesn't happen in a vacuum; it is grounded in principles and methodologies of design, cognition, perception, and human-computer-interaction that are combined to one's personal knowledge and creative experiences. Design for Information critically examines other design solutions "current and historic" helping you gain a larger understanding of how to solve specific problems. This book is designed to help you foster the development of a repertoire of existing methods and concepts to help you overcome design problems.CommunicationGraphic methodsVisual communicationGraphic artsDesignTechniqueDesign and technologyInformation visualizationCommunicationGraphic methods.Visual communication.Graphic arts.DesignTechnique.Design and technology.Information visualization.Meirelles Isabel1704271MiAaPQMiAaPQMiAaPQBOOK9910827037403321Design for information4090128UNINA03434nam 2200613Ia 450 991040414480332120250226171213.010.7765/9781526139863(CKB)4100000011301871(oapen)https://directory.doabooks.org/handle/20.500.12854/28404(DE-B1597)660145(DE-B1597)9781526139863(OCoLC)1163806230(ScCtBLL)13371e9b-4a1b-4fe4-a94b-1f2f0a9f9276(oapen)doab28404(EXLCZ)99410000001130187120231101h20202020 fg engurmn|---annantxtrdacontentcrdamediacrrdacarrierComradely objects Design and material culture in Soviet Russia, 1960s-80s /Yulia KarpovaManchesterManchester University Press2020Manchester :Manchester University Press,[2020]©20201 electronic resource (232 p.)Studies in Design and Material Culture9781526139870 1526139871 9781526139863 1526139863 Front matter --Dedication --Contents --List of plates --List of figures --Acknowledgements --Abbreviations and acronyms --Note on transliteration and translation --Introduction --1 The aesthetic turn after Stalin --2 Technical aesthetics against the disorder of things --3 Objects of neodecorativism --4 From objects to design programmes --5 A new production culture and non-commodities --Epilogue --Select bibliography --IndexThis electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The Russian avant-garde of the 1920s is broadly recognised to have been Russia's first truly original contribution to world culture. In contrast, Soviet design of the post-war period is often dismissed as hack-work and plagiarism that resulted in a shabby world of commodities. This book offers a new perspective on the history of Soviet design by focusing on the notion of the comradely object as an agent of progressive social relations that state-sponsored Soviet design inherited from the avant-garde. It introduces a shared history of domestic objects, hand-made as well as machine made, mass-produced as well as unique, utilitarian as well as challenging the conventional notion of utility. This is a study of post-avant-garde Russian productivism at the intersection of intellectual history, social history and material culture studies, an account attentive to the complexities and contradictions of Soviet design.Art & design styles: from c 1960bicsscMaterial culturebicsscFormer Soviet Union, USSR (Europe)bicsscSoviet designmaterial culturehousehold objectsdecorative artlate socialismArt & design styles: from c 1960Material cultureFormer Soviet Union, USSR (Europe)745.4094709046Karpova Yuliaauthttp://id.loc.gov/vocabulary/relators/aut1312885Karpova YuliaDE-B1597DE-B1597BOOK9910404144803321Comradely objects3031071UNINA