01765nam0 22003371i 450 UON0003569220231205102121.77337-00-12748-020020107d1998 |0itac50 bamulAT|||| 1||||Tibetan mountain deities, their cults and representationsPapers presented at a Panel of the 7th Seminar of the International Association for Tibetan Studies, Graz 1995edited by Anne-Marie BlondeauWienVerl. der Osterreichischen Akademie der Wissenschaft1998214 p.fig.27 cm6UON00369935MM.BB.CC.AA.IT-UONSI TIBGENE I/004 (6)001UON000271942001 Österreichische Akademie der Wissenschaften. Philosophisch-Historische Klasse. Denkschriften266001UON000379742001 Veroffentlichungen zur Sozialanthropologie210 WienOsterreichische Akademie der Wissenschaften19 - v. ; 29 cm3UON00369935Seminar of the International Association for Tibetan Studies <7. 1995. Graz>58020TIBETCONGRESSIUONC002008FIATWienUONL003140TIB GEN E ITIBET - CONGRESSI - GENERALIAABLONDEAUAnne-MarieUONV005275Österreichische Akademie der WissenschaftenUONV248181650ITSOL20240220RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00035692SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI TIB GEN E I 004 (6) SI SA 89674 7 004 (6) MM.BB.CC.AA.Seminar of the International Association for Tibetan Studies58020UNIOR03700nam 2200697 450 991082281470332120200903223051.03-11-032478-410.1515/9783110324785(CKB)2550000001152535(EBL)1164724(SSID)ssj0001046141(PQKBManifestationID)11569288(PQKBTitleCode)TC0001046141(PQKBWorkID)11120735(PQKB)10682004(DE-B1597)211247(OCoLC)859154746(OCoLC)881296331(OCoLC)900720718(DE-B1597)9783110324785(Au-PeEL)EBL1164724(CaPaEBR)ebr10785887(CaONFJC)MIL806299(MiAaPQ)EBC1164724(PPN)202088871(EXLCZ)99255000000115253520131106d2013 uy 0itaur|n|---|||||txtccrTecniche teatrali e formazione dell'oratore in Quintiliano /Francesca Romana Nocchi ; herausgegeben von Michael Erler [and three others]Berlin, Germany ;Boston, Massachusetts :Walter de Gruyter GmbH,2013.©20131 online resource (244 p.)Beitrg̃e zur Altertumskunde,1616-0452 ;Band 316Description based upon print version of record.3-11-032446-6 Includes bibliographical references and index. Frontmatter -- Prefazione -- Indice -- Introduzione -- 1 Intersezioni fra teatro e oratoria prima di Quintiliano -- 2 Didattica della voce -- 3 Imago est animi voltus: la maschera fra teatro e oratoria -- 4 Sermo corporis -- 5 Prosopopea e etopea -- 6 Lettura di Menandro alla scuola del grammaticus -- Bibliografia -- IndiciThe volume focuses on the evidence of scenic art present in Quintilian's Institutio oratoria to verify its influence on the education of the speaker. The enquiry will also make reference to all Greek and Latin sources useful in highlighting the mutual dependence between oratory and theater from the fifth century B.C. to the second century A.D. The most important area of investigation concerns the teaching of comoedus, master of diction and gestures. The fields of specialization and methods configured by Quintilian recall in detail the training process followed by Demosthenes to achieve excellence in the actio under the guidance of different actors; this close similarity suggests a persistence of training relationships between theater and oratory. The choice of comoedus is based on well-defined selection criteria: in particular, the comedy seems to have replaced the tragedy as the teaching model in the imperial era because of its greater verisimilitude. The enquiry extends to the acting techniques used in the imperial era, with particular attention to the mask and the strategies of identification that the actor could suggest to the speaker to activate the process of sympatheia with the public. Beiträge zur Altertumskunde ;Bd. 316.Rhetoric, AncientEducation.Quintilian.rhetoric.theater.Rhetoric, Ancient.808.5/1FX 222155rvkNocchi Francesca Romana602136Erler Michael162340MiAaPQMiAaPQMiAaPQBOOK9910822814703321Tecniche teatrali e formazione dell'oratore in Quintiliano4055484UNINA