01168nam0 22002651i 450 UON0002708720231205102044.14520020107d1964 |0itac50 baengUS|||| 1||||European Freebooters in Moghul IndiaLester HutchinsonNew YorkAsia Publishing House1964viii, 192 p.carte geog.22 cmINDIASTORIA MOGHULSEC. XVI-XVIIIUONC008626FIUSNew YorkUONL000050SI IV BSUBCONT. INDIANO - STORIA MODERNA (1526-1947)AHUTCHINSONLesterUONV018477194613Asia Publishing HouseUONV246496650ITSOL20240220RICAUON00027087SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI DOPPI SI IV B 033 SI SA 26640 7 033 SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI SI IV B 033 SI MR 82732 5 033 European Freebooters in Moghul India1200314UNIOR03691nam 22006492 450 991100847130332120151002020704.01-282-89511-797866128951111-58046-713-X10.1515/9781580467131(CKB)2670000000056092(OCoLC)680039814(CaPaEBR)ebrary10426266(SSID)ssj0000412349(PQKBManifestationID)11260314(PQKBTitleCode)TC0000412349(PQKBWorkID)10365979(PQKB)11489652(UkCbUP)CR9781580467131(MiAaPQ)EBC3003739(OCoLC)731331821(MdBmJHUP)musev2_89788(DE-B1597)676419(DE-B1597)9781580467131(EXLCZ)99267000000005609220120511d2009|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierAugust Halm a critical and creative life in music /Lee A. RothfarbSuffolk :Boydell & Brewer,2009.1 online resource (xix, 293 pages) digital, PDF file(s)Eastman studies in music,1071-9989Title from publisher's bibliographic system (viewed on 02 Oct 2015).1-58046-329-0 Includes bibliographical references (p. [269]-284) and index.An intellectual and creative life in music -- Formal dynamism and musical logic -- Analysis between description and explanation -- Two cultures : Bach's fugue and Beethoven's sonata -- Third culture : Bruckner's symphony -- Aesthetic theory and compositional practice : tradition, imitation, and innovation -- Halm's oeuvre : wisdom and prophecy.'August Halm: A Critical and Creative Life in Music' begins by setting the cultural stage and examining Halm's life with rich details from unpublished personal letters, diaries, notebooks, and lecture notes. Further chapters explore Halm's notion of musical logic and his proposal that the evolution of compositional technique had, by his day, culminated in three successive musical 'cultures' epitomized in Bach (fugue), Beethoven (sonata), and Bruckner (symphony). Another chapter examines, for the first time anywhere, Halm's own compositions, their motivating aesthetic premises, and their connection with late twentieth-century postmodernism. The volume closes with an assessment of Halm's significance for present-day music theory, including its branches that deal with narrativity, plot theory, embodiment, and semiotics. Halm's subject matter and creative activities ranged widely, and he aimed at maintaining a style that would be accessible and intriguing to music amateurs and music educators at all levels. Lee Rothfarb's book-written in the same spirit-will interest not only music theorists and musicologists but also composers and classroom and private music teachers. Lee Rothfarb is professor of music at the University of California, Santa Barbara. His previous publications include 'Ernst Kurth as Theorist and Analyst' and 'Ernst Kurth: Selected Writings'.Eastman studies in music.Music theoristsGermanyComposersGermanyMusical analysisMusic theoristsComposersMusical analysis.780.92LP 64030BSZrvkRothfarb Lee Allen1826232UkCbUPUkCbUPBOOK9911008471303321August Halm4394203UNINA