02669nam 2200721 a 450 991110154520332120171026195700.09786613159885978128315988312831598809780472027590047202759X10.3998/mpub.152565(CKB)2550000000040153(OCoLC)741690129(CaPaEBR)ebrary10482189(SSID)ssj0000520959(PQKBManifestationID)11317847(PQKBTitleCode)TC0000520959(PQKBWorkID)10517590(PQKB)10061664(MiAaPQ)EBC3414997(OCoLC)794700526(MdBmJHUP)muse11975(MiU)10.3998/mpub.152565(Au-PeEL)EBL3414997(CaPaEBR)ebr10482189(CaONFJC)MIL315988(OCoLC)923504128(ODN)ODN0000608745(EXLCZ)99255000000004015320110105d2011 uy 0engurcn|||||||||txtccrAre we not new wave? modern pop at the turn of the 1980s /Theo Cateforis1st ed.Ann Arbor :University of Michigan Press,2011.1 online resource (305 p.)Tracking popBibliographic Level Mode of Issuance: Monograph0-472-11555-3 Includes bibliographical references and index.Tracking the tide : the new wave washes in and out -- The second British Invasion and its aftermath : from new pop to modern rock -- From neurasthenia to nervousness : the whiteness of the new wave -- Camp! kitsch! trash! new wave and the politics of irony -- "(I wish it could be) 1965 again" : power pop and the mining of rock's modern past -- "Roll over guitar heroes, synthesizers are here . . ." -- Kings of the wild frontier -- Epilogue : The new wave revival.The definitive musical and cultural history of new wave music.Tracking popNew wave musicHistory and criticismPopular music1981-1990History and criticismNew wave musicHistory and criticism.Popular musicHistory and criticism.781.6409/0489,2ssgnLS 48070rvkCateforis Theo1946816Michigan Publishing (University of Michigan),MiUMiUBOOK9911101545203321Are we not new wave4702224UNINA02797nam 2200649Ia 450 991115291450332120260415135129.01-283-17432-4978661317432190-272-8338-910.1075/pbns.1(CKB)2550000000040658(EBL)731649(OCoLC)756000191(SSID)ssj0001012631(PQKBManifestationID)11591071(PQKBTitleCode)TC0001012631(PQKBWorkID)11044449(PQKB)10162936(MiAaPQ)EBC731649(Au-PeEL)EBL731649(CaPaEBR)ebr10484099(CaONFJC)MIL317432(DE-B1597)719408(DE-B1597)9789027283382(EXLCZ)99255000000004065819880318d1988 uy 0engur|n|---|||||txtccrThe jury summation as speech genre an ethnographic study of what it means to those who use it /Bettyruth Walter1st ed.Amsterdam ;Philadelphia J. Benjamins Pub. Co.19881 online resource (281 p.)Pragmatics & beyond ;new ser. 1Description based upon print version of record.1-55619-034-4 90-272-5010-3 Includes bibliographical references and indexes (p. [249]-259).THE JURY SUMMATION AS SPEECH GENRE; Title page; Copyright page; Dedication; Abstract; Table of contents; Preface; Acknowledgements; List of Tables; 1 .Introduction; SECTION1: The Sender; SECTION 2: The Observer; SECTION3: The Receiver; APPENDICES; NOTES; BIBLIOGRAPHY; SUBJECT INDEX; ATTORNEY INDEXThe American courtroom trial is a speech situation. Everything occurs through the spoken word. The 'summation', as speech event embedded within the trial, which is the chronological and psychological culmination of it, is one of the few opportunities for the lawyer to communicate directly with jurors. But the speech genre summation involves preliminaries as well as the event itself; and it can affect the aftermath of the trial, for the decisions of the jurors may be influenced by this discourse.This ethnographic study considers the summation from three perspectives: that of the producer, from Pragmatics & beyond ;new ser. 1.Summation (Law)United StatesForensic oratorySummation (Law)Forensic oratory.347.73/75347.30775Walter BettyruthMiAaPQMiAaPQMiAaPQBOOK9911152914503321UNINA