02958oam 2200661M 450 991108054240332120191123063210.4(CKB)46361080200041(DGPO)001145600(OCoLC)1065796454(EXLCZ)994636108020004120070221d1854 ua 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierMessage from the President of the United States, communicating, in compliance with a resolution of the Senate, copies of the correspondence in relation to the arrest, at Bremen, of Conrad Schmidt, a naturalized citizen of the United States, and the arrest, at Heidelberg, of E.T. Dana and other citizens of the United States ; also, copies of the correspondence with the King of Prussia on the subject of religious toleration. May 8, 1854. -- Ordered to lie on the table and be printedWashington, DC :[publisher not identified],1854.1 online resource (39 pages)Senate executive document / 33rd Congress, 1st session. Senate ;no. 60[United States congressional serial set ] ;[serial set no. 698]Batch processed record: Metadata reviewed, not verified. Some fields updated by batch processes.BaptistsAbuse of rightsAllegianceArrestDetention of personsDiplomatic documentsImprisonmentDual nationalityFreedom of religionAmericansForeign countriesFree Hanseatic City of Bremen (to 1871)Heidelberg (Germany)PrussiaLegislative materials.lcgftBaptists.Abuse of rights.Allegiance.Arrest.Detention of persons.Diplomatic documents.Imprisonment.Dual nationality.Freedom of religion.AmericansPierce Franklin1804-1869.1387145United States.President (1853-1857 : Pierce)United States.Department of State.WYUWYUOCLCOOCLCQBOOK9911080542403321Message from the President of the United States, communicating, in compliance with a resolution of the Senate, copies of the correspondence in relation to the arrest, at Bremen, of Conrad Schmidt, a naturalized citizen of the United States, and the arrest, at Heidelberg, of E.T. Dana and other citizens of the United States ; also, copies of the correspondence with the King of Prussia on the subject of religious toleration. May 8, 1854. -- Ordered to lie on the table and be printed4649696UNINA03735nam 2200673 a 450 991114118860332120251116215737.09786611731120978128173112812817311299780300132021030013202610.12987/9780300132021(CKB)1000000000472134(StDuBDS)BDZ0022171478(SSID)ssj0000233010(PQKBManifestationID)11947315(PQKBTitleCode)TC0000233010(PQKBWorkID)10219590(PQKB)11591241(StDuBDS)EDZ0000158285(MiAaPQ)EBC3419875(DE-B1597)485383(OCoLC)1024014848(DE-B1597)9780300132021(Au-PeEL)EBL3419875(CaPaEBR)ebr10167924(CaONFJC)MIL173112(OCoLC)923587323(Perlego)1449230(OCoLC)1024014848(EXLCZ)99100000000047213420011101d2002 uy 0engur|||||||||||txtccrReading Godot /Lois Gordon1st ed.New Haven, Conn. Yale University Pressc20021 online resource (1 online resource ([ix], 214 p.) )illBibliographic Level Mode of Issuance: Monograph9780300092868 0300092865 Includes bibliographical references (p. 199-207) and index.Front matter --CONTENTS --ACKNOWLEDGMENTS --INTRODUCTION --ONE. The First Forty Years, 1906-46: Origins of a Vision and Form --TWO. Waiting for Godot: The Existential Dimension --THREE. The Dream as a Manifestation of Unconscious Language and Emotion: The Conglomerative Effect --FOUR. The Conglomerative Voice: Cain and Abel --FIVE. The Language of Dreams: The Anatomy of the Conglomerative Effect --SIX. ''The key word . . . is 'perhaps' '' --SEVEN. Staging the Conglomerative Effect --EIGHT. Crystallization of a Vision and Form --NOTES --SELECTED BIBLIOGRAPHY --INDEXWaiting for Godot has been acclaimed as the greatest play of the twentieth century. It is also the most elusive: two lifelong friends sing, dance, laugh, weep, and question their fate on a road that descends from and goes nowhere. Throughout, they repeat their intention "Let's go," but this is inevitably followed by the direction "(They do not move.)." This is Beckett's poetic construct of the human condition. Lois Gordon, author of The World of Samuel Beckett, has written a fascinating and illuminating introduction to Beckett's great work for general readers, students, and specialists. Critically sophisticated and historically informed, it approaches the play scene by scene, exploring the text linguistically, philosophically, critically, and biographically. Gordon argues that the play portrays more than the rational mind's search for self and worldly definition. It also dramatizes Beckett's insights into human nature, into the emotional life that frequently invades rationality and liberates, victimizes, or paralyzes the individual. Gordon shows that Beckett portrays humanity in conflict with mysterious forces both within and outside the self, that he is an artist of the psychic distress born of relativism.LITERARY CRITICISM / DramabisacshLITERARY CRITICISM / Drama.842/.914Gordon Lois G680405MiAaPQMiAaPQMiAaPQBOOK9911141188603321Reading Godot4833255UNINA