04346oam 2200673 c 450 991111472670332120260802090127.03-8309-9289-09783830992899(CKB)5180000000021984(Waxmann)9783830992899(oapen)https://directory.doabooks.org/handle/20.500.12854/72393(oapen)doab72393(EXLCZ)99518000000002198420260802d2021 uy 0engurnnunnnannuutxtrdacontentcrdamediacrrdacarrierMusic and Resistance Cultural Defense During the German Occupation of Norway 1940-45 /Michael Custodis1st, New ed.MünsterWaxmann20211 online resource (430 p.)mit zahlreichen, teils farbigen AbbildungenMünsteraner Schriften zur zeitgenössischen Musik63-8309-4289-3 Abbreviations Foreword I. Music as Resistance Nordic Exceptionalism Institutionalizing Cultural Defense Sivorg and Music The Historiography of Music and Nazism in Norway Music as Resistance - A Preliminary Model Nordic Music Politics The Secret List of Confi dants II. Persecution of Musicians and Music in Concentration Camps Locations and Numbers Causes for Detention Violinist Jac Maliniak - From Warsaw and Trondheim to Auschwitz Mundane Music to Remember and Forget Enforced Submission and Voluntary Action Camp Odysseys - Frank Storm Johansen and Gunnar Kjeldaas Acts of Musical Resistance Claims for Compensation III. Artistic Liberty and Periphery Military Music Music in Churches Composing Resistance in Bergen and Harald Sæverud's Symphony No. 5 (1941) Activities in Stavanger, Trondheim, and Tromsø IV. Remote Resistance in Stockholm Numbers and Procedures Expatriates from Norway A Nordic Casablanca Norwegian Counterpropaganda Sentiments V. Different Modes of Consolidation Media and Occupation. Fighting Men of Norway (1942), Edge of Darkness (1943), and Song of Norway (1944) A Voice of Pride and Compassion - Moses Pergament's Den judiska sången (1944/45) Musical Resistance and Perseverance Archival Sources References Index of NamesThe role of music during the German occupation of Norway (1940-45) proves to be an exceptional case for cultural opposition in a dictatorship. Few famous musicians, some local celebrities and innumerous hardly known activists preferred artistic instead of militant means to demonstrate reluctance, spread information, contradict the legitimacy of the German occupants and raise the moral strength of fellow countrymen in Norway and abroad, while risking to be caught, incarcerated and driven into exile. The indispensable advantage was the popular belief of art as an apolitical matter so that music even could reach into fields that would have been inaccessible to open political agitation. Based on considerable findings in public archives and private collections, this book discusses music in concentration camps in Norway and the fate of Jewish musicians, portrays choirs, military ensembles, orchestral and church music in Norway. It further analyzes Harald Sæverud’s 5th symphony and Moses Pergament’s choir symphony Den judiska sången, illustrates the exile of musicians in Stockholm and discusses resistance music in historic media such as the Errol Flynn-movie Edge of Darkness (1943), recapitulated by a model for music as resistance.MusicResistanceOccupationNorwayConcentration CampNazismPoliticsExilePropagandaChurch MusicChoirNationalsozialismusMusicResistanceOccupationNorwayConcentration CampNazismPoliticsExilePropagandaChurch MusicChoirNationalsozialismusCustodis Michaelaut2009472WaxmannWaxmannBOOK9911114726703321Music and Resistance4797019UNINA02128nam 2200613 a 450 991113475850332120251116210038.01-282-59377-397866125937720-472-02532-5(CKB)2560000000012964(OCoLC)613205561(CaPaEBR)ebrary10373097(SSID)ssj0000412050(PQKBManifestationID)11260304(PQKBTitleCode)TC0000412050(PQKBWorkID)10357864(PQKB)11143623(MiAaPQ)EBC3414739(MdBmJHUP)muse9586(Au-PeEL)EBL3414739(CaPaEBR)ebr10373097(CaONFJC)MIL259377(OCoLC)816386469(EXLCZ)99256000000001296420070910d2008 ub 0engurcn|||||||||txtccrArchimedes and the Roman imagination /Mary Jaeger1st ed.Ann Arbor University of Michigan Pressc20081 online resource (245 p.) Bibliographic Level Mode of Issuance: Monograph0-472-11630-4 Includes bibliographical references (p. 209-223) and index.The "Eureka" story -- Cicero at Archimedes' tomb -- Why two spheres? -- The afterlife of the spheres from the De republica -- A sketch of events at Syracuse -- Who killed Archimedes? -- The defense of Syracuse -- Claudian on Archimedes -- Petrarch's Archimedes -- Conclusion -- Notes.An innovative exploration of the cultural reception of the greatest mathematician of the ancient world.MathematiciansGreeceBiographyMathematics, AncientMathematiciansMathematics, Ancient.510.92BJaeger Mary1960-698048MiAaPQMiAaPQMiAaPQBOOK9911134758503321Archimedes and the Roman imagination1373759UNINA