04028nam 2200757Ia 450 991110169240332120260220090139.01-282-75441-697866127544180-520-94699-510.1525/9780520946996(CKB)2670000000048456(EBL)579392(OCoLC)813230078(SSID)ssj0000412387(PQKBManifestationID)11260315(PQKBTitleCode)TC0000412387(PQKBWorkID)10367412(PQKB)11013698(DE-B1597)521127(OCoLC)822968894(DE-B1597)9780520946996(Au-PeEL)EBL579392(CaPaEBR)ebr10412740(CaONFJC)MIL275441(ODN)ODN0000457187(Perlego)550759(MiAaPQ)EBC579392(EXLCZ)99267000000004845620091118d2010 ub 0engur|n|---|||||txtccrAutobiography of Mark TwainVolume 1 /editor: Harriet Elinor Smith ; associate editors: Benjamin Griffin, Victor Fischer, Michael B. Frank, Sharon K. Goetz, Leslie Myrick1st ed.Berkeley University of California Press20101 online resource (775 p.)The Mark Twain Papers"A publication of the Mark Twain Project of the Bancroft Library."0-520-43088-3 0-520-26719-2 Includes bibliographical references and index.Frontmatter --Contents --List of Manuscripts and Dictations --Acknowledgments --Introduction --Preliminary Manuscripts and Dictations, 1870-1905 --Autobiography Of Mark Twain --Explanatory Notes --Appendixes --Note On The Text --Word Division in This Volume --References --Index"I've struck it!" Mark Twain wrote in a 1904 letter to a friend. "And I will give it away-to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography." Thus, after dozens of false starts and hundreds of pages, Twain embarked on his "Final (and Right) Plan" for telling the story of his life. His innovative notion-to "talk only about the thing which interests you for the moment"-meant that his thoughts could range freely. The strict instruction that many of these texts remain unpublished for 100 years meant that when they came out, he would be "dead, and unaware, and indifferent," and that he was therefore free to speak his "whole frank mind." The year 2010 marks the 100th anniversary of Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press is proud to offer for the first time Mark Twain's uncensored autobiography in its entirety and exactly as he left it. This major literary event brings to readers, admirers, and scholars the first of three volumes and presents Mark Twain's authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended. Editors: Harriet E. Smith, Benjamin Griffin, Victor Fischer, Michael B. Frank, Sharon K. Goetz, Leslie MyrickMark Twain PapersAuthors, American19th centuryBiographyAuthors, American818/.4/0924LIT004020bisacshTwain Mark1835-1910.27404Smith Harriet Elinor1623028Griffin Benjamin1968-1936035Fischer Victor1942-1936036Frank Michael B1936037Goetz Sharon K1936038Myrick Leslie Diane1936039Bancroft Library.MiAaPQMiAaPQMiAaPQBOOK9911101692403321Autobiography of Mark Twain4687132UNINA05501nam 2200685Ia 450 991108920800332120251117083558.01-299-31457-01-118-22477-9(CKB)2670000000176504(EBL)821813(OCoLC)815954808(SSID)ssj0000654192(PQKBManifestationID)11405729(PQKBTitleCode)TC0000654192(PQKBWorkID)10659785(PQKB)10517999(MiAaPQ)EBC821813(Au-PeEL)EBL821813(CaPaEBR)ebr10560606(CaONFJC)MIL462707(EXLCZ)99267000000017650420120528d2012 uy 0engur|n|---|||||rdacontentrdamediardacarrierPhotoshop CS6 bible /Lisa DaNae Dayley, Brad Dayley1st ed.Indianapolis, IN Wileyc20121 recurso en líneaIncludes index.1-118-12388-3 Adobe Photoshop CS6 Bible; About the Authors; Credits; Table of Contents; Acknowledgments; Introduction; Is This Book for You?; How This Book Is Organized; How to Use This Book; Icons Used in This Book; Contacting the Authors; Part I: Getting Started with Adobe Photoshop CS6; Chapter 1: Introducing Adobe Photoshop CS6; Discovering the Versatile World of Photoshop; Looking at What's New in Photoshop CS6; Summary; Chapter 2: Exploring the Photoshop Workspace; Touring the Workspace; Exploring the Photoshop Menu Bar; Exploring Panels; Understanding the Tools in the Toolbox; Configuring PresetsSetting PreferencesCustomizing Shortcuts and Menus; Summary; Chapter 3: Performing Image Basics; Exploring File Types; Creating and Opening Images; Resizing Files and Adjusting Resolution; Cropping and Straightening Images; Summary; Chapter 4: Understanding Colors, Histograms, Levels, and Curves; Knowing Color Basics; Understanding Channels and Levels; Adjusting with Histograms; Working in Different Color Modes; Choosing Colors; Summary; Chapter 5: Applying History and Actions; Understanding Photoshop's Non-Destructive Features; Using the History Panel; Creating and Using Automated ActionsSummaryChapter 6: Using Bridge to Organize and Process Files; Working in the Bridge Workspaces; Organizing Files in Bridge; Processing Images Using Bridge and Photoshop; Using the Mini-Bridge Tool in Photoshop; Summary; Part II: Working with Camera Raw Images; Chapter 7: Exploring Camera Raw Basics; Looking at Camera Raw Benefits; Understanding Camera Raw File Types; Opening Images in Camera Raw; Getting to Know the Camera Raw Workspace; Changing Your Workflow Options; Setting Preferences; Using the Camera Raw Panel Menu; Creating Snapshots; Saving Presets; Exporting Camera Raw Files; SummaryChapter 8: Processing Photos with Camera RawGetting to Know the Camera Raw Tools; Synchronizing Adjustments in Multiple RAW Images; Adjusting the White Balance; Adjusting Lighting; Adjusting Color and Clarity; Correcting and Retouching; Creating Artistic Effects; Correcting Camera Quirks; Reducing Noise and Adjusting Sharpness; Summary; Part III: Working with Selections, Layers, and Channels; Chapter 9: Creating Selections; Getting Familiar with the Select Menu; Using the Selection Tools; Refining Your Selection; Using the Color Range Selector; Summary; Chapter 10: Learning All About LayersIntroducing LayersUsing the Layer Menus; Looking at the Layers Panel; Applying Worry-Free Fill and Adjustment Layers; Creating Layer Style Special Effects; Creating Smart Objects; Manipulating Layer Masks; Creating Layer Comps; Merging Layers; Summary; Chapter 11: Exploring Channels; Understanding Color Channels; Using the Channel Mixer; Using the Channels Panel; Making Channel Selections; Understanding the Alpha Channel; Using Spot Color Channels; Summary; Part IV: Enhancing, Correcting, and Retouching Images; Chapter 12: Optimizing Adjustment Workflow; Understanding WorkflowMaking Auto AdjustmentsThe comprehensive, soup-to-nuts guide to Photoshop, fully updated Photoshop CS6, used for both print and digital media, is the industry leader in image-editing software. The newest version adds some exciting new features, and this bestselling guide has been revised to cover each of them, along with all the basic information you need to get started. Learn to use all the tools, including the histogram palette, Lens Blur, Match Color, and the color replacement tool, as well as keyboard shortcuts. Then master retouching and color correction, work with Camera Raw images, prepare phoComputer graphicsComputer programsComputer graphicsPhotographyDigital techniquesComputer programsPhotographyDigital techniquesData processingComputer graphicsComputer programs.Computer graphics.PhotographyDigital techniquesComputer programs.PhotographyDigital techniquesData processing.006.686006.6896Dayley Lisa DaNae1926212Dayley Brad1929087MiAaPQMiAaPQMiAaPQBOOK9911089208003321Photoshop CS6 bible4699483UNINA