02862nam 22005533 450 991106902440332120240912084510.09783839470527383947052810.1515/9783839470527(CKB)34868848900041(MiAaPQ)EBC31653313(Au-PeEL)EBL31653313(DE-B1597)671326(DE-B1597)9783839470527(Perlego)4300946(EXLCZ)993486884890004120240912d2024 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierRemixing the Hip-Hop Narrative Between Local Expressions and Global Connections1st ed.Bielefeld :transcript Verlag,2024.©2024.1 online resource (327 pages)Studien zur Popularmusik9783837670523 383767052X Frontmatter -- Contents -- Acknowledgments -- Preface -- Remixing the Hip-Hop Narrative -- Epistemological Quandary -- Hip Hop Becomes Mainstream -- “Double the Struggle” -- “Where the Rhymes at?” -- YEEK! -- Identity Transgressions as Transgressions of the Art Form -- Afro-Cosmopolitanisms -- “Ich lebe für Hip Hop” -- Producing Hip-Hop Culture and Identity -- Chronicling New York Reggae and Hip Hop’s Crossroads, and Community Media as Historical Archives from the Ground Up -- ContributorsAlthough hip hop is now a well-established global music genre and cultural form, its history and current impact have not yet been sufficiently studied. The interdisciplinary contributions to this volume address hip hop's historical and regional struggles for representation of race, gender, generation, place, and language, as well as the tension between authenticity and commercialization. Contributors offer approaches to historicizing hip-hop culture, and present new theoretical perspectives and methodological tools for addressing hip hop's global impact. This volume targets not only scholars and students but also resonates with recent public debates about identity politics and cultural appropriation.Rap (Music)History and criticismMUSIC / History & CriticismbisacshRap (Music)History and criticism.MUSIC / History & Criticism.782.42164909Barber James233901Büschges Christian1896443Mausfeld Dianne Violeta1896444Sweers Britta1896445MiAaPQMiAaPQMiAaPQBOOK9911069024403321Remixing the Hip-Hop Narrative4551039UNINA