03710nam 22006255 450 991101596990332120250717130344.03-031-80279-910.1007/978-3-031-80279-9(MiAaPQ)EBC32218085(Au-PeEL)EBL32218085(CKB)39660048500041(DE-He213)978-3-031-80279-9(EXLCZ)993966004850004120250717d2025 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierVideo Art in China 1985-2020 /by Qian Yang, Adam Geczy1st ed. 2025.Cham :Springer Nature Switzerland :Imprint: Palgrave Macmillan,2025.1 online resource (294 pages)3-031-80278-0 Introduction -- Part 1. Reference and Implementation: A Discussion of Video Art Between China and America -- Chapter 1.Video Art Between China and America -- Chapter 2.Space–Time Duality in Video Art -- Part 2. Accumulation and Progress: Interlinked Historical Processes and Video Art -- Chapter 3. The Emerging Stage: Video Art after the Cultural Revolution China -- Chapter 4. The Development Stage: Video Art After Deepening the Reform and Opening-up Policy -- Chapter 5. The Rapid Growth Stage: Video Art under the Adjustment of the Art Education System -- Chapter 6. The Stable Development Stage: Video Art as China Gains Global Influences -- Chapter 7. A Window Opens: Video Art Exhibitions in China -- Conclusion.This is the first book that offers a comprehensive account of video art after the Cultural Revolution in China with a special emphasis on the way it progressed together with phenomenal socio-economic transformations that began in the 1980s. It examines its development against social changes and pressures, looking at such aspects as the growth of artistic and cultural groups, exhibition spaces and art schools. Charting these changes, it prizes out the many zones of influence by the dominant United States while also marking out the many independent features of Chinese video art and the conditions that shaped them. Adam Geczy, PhD, is an artist and writer who teaches at the University of Sydney. His exhibitions have been throughout Europe, Asia and Australia where his work is held in several national collections. As a writer he has published over 20 books (contemporary art, fashion, cultural studies and aesthetics), and is the author of numerous critical articles and book chapters. Qian Yang is a doctoral candidate in the School of Art, Communication and Media, at the University of Sydney. She graduated from Tiangong University in 2017 with a bachelor’s degree and from the University of the Arts London in 2019 with a master’s degree in graphic media design.Art, Modern21st centuryPopular cultureEthnologyAsiaCultureEthnologyContemporary ArtPopular CultureAsian CultureRegional Cultural StudiesArt, ModernPopular culture.EthnologyCulture.Ethnology.Contemporary Art.Popular Culture.Asian Culture.Regional Cultural Studies.777Yang Qian1834516Geczy Adam1056086MiAaPQMiAaPQMiAaPQBOOK9911015969903321Video Art in China 1985-20204410009UNINA01082nas 2200409 c 450 991105632910332120260127110438.03033-1358(DE-599)ZDB3203855-0(OCoLC)1484659386(DE-101)1352826372(CKB)5850000000535280(DE-599)3203855-0(EXLCZ)99585000000053528020250108a20259999 |y |engur|||||||||||txtrdacontentcrdamediacrrdacarrierBalkanistic worldsBlagoevgradBalkanistic Forum, International University Seminar for Balkan Studies and Specialization[2025]-Online-Ressource3033-134X BWZeitschriftgnd-content940700300OSTDE-12fid0012DE-1019999JOURNAL9911056329103321Balkanistic worlds4531470UNINA