00790nam0-2200229 --450 991062970070332120221205093135.020221205d1905----kmuy0itay5050----baengInternational law as interpreted during the Russo-Japanese warby F. E. Smith and N. W. SibleyLondonT. Fisher Unwin and William Clowes and sons1905xi, 494 p27 cm34123itaBirkenhead,Frederick Edwin SmithEarl of,1872-1930.527119Sibley,N. W(Norman Wise),ITUNINARICAUNIMARCBK9910629700703321X D 36897FGBCFGBCInternational law as interpreted during the Russo-Japanese war2965352UNINA03320nam 22006255 450 991104668020332120200424112023.09780226164427022616442X10.7208/9780226164427(CKB)3710000000250603(EBL)1809666(SSID)ssj0001349709(PQKBManifestationID)12491106(PQKBTitleCode)TC0001349709(PQKBWorkID)11403288(PQKB)10207901(StDuBDS)EDZ0000955821(MiAaPQ)EBC1809666(DE-B1597)523953(OCoLC)892430140(DE-B1597)9780226164427(Perlego)1852035(EXLCZ)99371000000025060320200424h20142014 fg engur|n|---|||||txtccrCommunities of Style Portable Luxury Arts, Identity, and Collective Memory in the Iron Age Levant /Marian H. FeldmanChicago : University of Chicago Press, [2014]©20141 online resource (289 p.)Description based upon print version of record.9780226105611 022610561X 9781322182858 132218285X Includes bibliographical references and index.Frontmatter -- Contents -- List of Illustrations -- Author's Note -- Acknowledgments -- Introduction -- 1. Workshops, Connoisseurship, and Levantine Style(s) -- 2 Levantine Stylistic Practices in Collective Memory -- 3. Creating Assyria in Its Own Image -- 4. Speaking Bowls and the Inscription of Identity and Memory -- 5. The Reuse, Recycling, and Displacement of Levantine Luxury Arts -- Conclusion -- Notes -- References -- IndexCommunities of Style examines the production and circulation of portable luxury goods throughout the Levant in the early Iron Age (1200-600 BCE). In particular it focuses on how societies in flux came together around the material effects of art and style, and their role in collective memory. Marian H. Feldman brings her dual training as an art historian and an archaeologist to bear on the networks that were essential to the movement and trade of luxury goods-particularly ivories and metal works-and how they were also central to community formation. The interest in, and relationships to, these art objects, Feldman shows, led to wide-ranging interactions and transformations both within and between communities. Ultimately, she argues, the production and movement of luxury goods in the period demands a rethinking of our very geo-cultural conception of the Levant, as well as its influence beyond what have traditionally been thought of as its borders.Decorative arts, AncientMiddle EastHistoryIron ageMiddle EastMiddle EastAntiquitiesDecorative arts, AncientHistory.Iron age745.09394Feldman Marian H., authttp://id.loc.gov/vocabulary/relators/aut1811569DE-B1597DE-B1597BOOK9911046680203321Communities of Style4469100UNINA