05466nam 22005535 450 991102115520332120250815130201.03-031-87294-010.1007/978-3-031-87294-5(MiAaPQ)EBC32263286(Au-PeEL)EBL32263286(CKB)40336141600041(DE-He213)978-3-031-87294-5(OCoLC)1534808177(EXLCZ)994033614160004120250815d2025 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierAnimality and Horror Cinema Creaturely Fear on Film /edited by Peter Sands, Mo O’ Neill, Samantha Hind1st ed. 2025.Cham :Springer Nature Switzerland :Imprint: Palgrave Macmillan,2025.1 online resource (325 pages)Palgrave Studies in Animals and Literature,2634-63463-031-87293-2 Chapter 1: Creaturely Fear: An Introduction -- Part 1: Animal Traces -- Chapter 2: Surrealism and Creaturely Holocaust Killing in Juraj Herz’s The Cremator -- Chapter 3: Jordan Peele’s Animals: Zoological Horror, Afropessimist Allegory and the Alien Superstar -- Chapter 4: The Animal-Image: On the Uses of Animals in Claire Denis’ Horror Films -- Part 2: The Multi-Sensorial Animal -- Chapter 5: A Horror Multiplied by the Eyes of Every House Fly: Compound Misconceptions and Prejudices on Filmic Insects -- Chapter 6: Killer Wail: Colouring Nonhuman Trauma in Orca: The Killer Whale -- Chapter 7: Sound, Silence, Horror, and the Hare -- Part 3: True Story Monstrosities -- Chapter 8: Animal Agency and Animal Sovereignties in Roar -- Chapter 9: Living with Saltwater Crocodiles: Respectful and Reverential Eco-Fear in Dark Age -- Chapter 10: “The Touch of his Hairy Hand Offended You”: The Epistemological Indeterminacy of Ted Kotcheff’s Wake in Fright -- Part 4: Meat, Sacrifice and Sympathy -- Chapter 11: Made in the Harming: Julia Ducournau’s Raw and the Cutting Continuities of Animal Montage -- Chapter 12: Flesh & Negation: Vegan Aesthetics and Sympathetic Action in David Lynch’s Eraserhead.Animality and Horror Cinema provides a wide-ranging overview of the role played by animals in the genre of horror cinema. Across four sections that unite affective and generic modes of horror with animals, animality, and the discourse of species, the volume demonstrates the multivalent operation of animality in transnational cinemas that look beyond the trope of monstrous adversity associated with the creature feature. With chapters focusing on the extrusion of animals from horror narratives, the multisensorial dimensions of animal horror, the intrusion of documentary violence, and the horrific contiguity of human and nonhuman flesh, it argues for the concept of creaturely fear as a lens through which to read horror’s blurring of the species barrier. The collection appeals to those interested in the intersection of animal and film studies with memory studies, afropessimism and critical race theory, posthumanism, biopolitics, ecocriticism, queer theory and vegan theory. Peter Sands is a Fellow at the Leverhulme Centre for Anthropocene Biodiversity and the Department of English and Related Literature at the University of York, UK. His research focuses on ecological thinking and human–animal relationships in Cold War technoculture and in contemporary speculative fiction. Mo O’Neill has recently completed a PhD at the University of Sheffield. Their research concerns the history and philosophy of animal advocacy, with a particular focus on the Victorian and Edwardian period, but they are also interested in exploring the mutation of these logics of human-animal relations within the medium of contemporary cinema. Their work is published in the Palgrave volume Animal Satire, Route 57, and Green Letters, with upcoming publications in Victoriographies and the Journal of Literature and Science. Samantha Hind has a PhD from the University of Sheffield. Her forthcoming monograph, Speculative Flesh Ecologies: Flesh, Indistinction, and Speculative Fiction, explores flesh as a facilitator for human and nonhuman indistinction in twenty-first century speculative fiction. More broadly, she is interested in representations of nonhumans in speculative fiction literature, film, television, and art, and she is currently working on a project about conservation and speculative fiction and a chapter about virtual reality and farmed animals. Her work has been published in Interrogating Boundaries of the Nonhuman: Literature, Climate Change, and Environmental Crises (Lexington, 2022), Ecozon@ (15.1, 2024), and Clarkesworld science fiction and fantasy magazine.Palgrave Studies in Animals and Literature,2634-6346Motion picturesAnimal cultureFilm StudiesAnimal ScienceMotion pictures.Animal culture.Film Studies.Animal Science.791.436164Sands Peter1802099Neill Mo O'1844074Hind Samantha1844075MiAaPQMiAaPQMiAaPQBOOK9911021155203321Animality and Horror Cinema4426231UNINA05407oam 2200673I 450 991096492570332120251117111233.01-134-61812-30-415-70856-71-315-88598-01-134-61805-010.4324/9781315885988 (CKB)2670000000577381(EBL)1864751(SSID)ssj0001367739(PQKBManifestationID)12543919(PQKBTitleCode)TC0001367739(PQKBWorkID)11445579(PQKB)11703325(MiAaPQ)EBC1864751(OCoLC)958101311(EXLCZ)99267000000057738120180706d2015 uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierCrime and justice since 1750 /Barry Godfrey and Paul LawrenceSecond editionLondon ;New York :Routledge,2015.1 online resource (213 pages)Description based upon print version of record.0-415-70855-9 1-322-32684-3 Includes bibliographical references and index.1. Introduction; The structure of the book; Does crime history have a history?; Part 1 Institutions and processes; 2 The development of policing; Introduction; The Old Police; The transition to the New Police; A golden age of policing?; Modern parallels; Conclusion; Key questions; 3 The role of the 'victim' since 1750; Introduction; 'Victims' and the prosecution of crime; Retribution, self-defence and other extra-judicial action; Victims and 'private' initiatives; Modern parallels; ConclusionKey questions4 The law and the courts; Introduction; An overview of the court system from 1750; Historians, law and the courts between 1750 and 1850; Historians, law and the courts since 1850; Modern parallels; Conclusion; Key questions; 5 Punishment since 1750; Introduction; Changing patterns of punishment since 1750; Historians, sociologists and the rise of the prison; Debates over punishment and welfare since 1850; Modern parallels; Conclusion; Key questions; Part 2 Crime and criminals; 6 Violence, war and terrorism; Introduction; Measuring levels of violenceExplaining violence and violent crimeTerrorism and war; Modern parallels; Conclusion; Key questions; 7 Criminal others; Introduction; Poverty, crime and the 'criminal class'; Women and crime; Ethnicity and criminality; Modern parallels; Conclusion; Key questions; 8 Youth crime and gangs since 1750; Introduction; Inventing or discovering juvenile delinquency?; Later nineteenth-century 'reform'; Twentieth-century care and control; Modern parallels; Conclusion; Key questions; 9 Control and surveillance since 1750; Introduction; Workplace theft, 1750-1950Did the factory eradicate workplace theft?Watching the suspicious; Modern parallels; Conclusion; Key questions; 10 Conclusion; Glossary; Bibliography; Index"This book provides a comprehensive, introductory text for students taking courses in crime and criminal justice history. It covers all of the key historical topics central to an understanding of the current criminal justice system, including the development of the police, the courts and the mechanisms of punishment (from the gallows to the prison). The role of the victim in the criminal justice system, changing perceptions of criminals, long term trends in violent crime, and the rise of surveillance society also receive detailed analysis. In addressing each of these issues and developments, the authors draw on the latest research in this rapidly-expanding field to explore a range of historiographical and criminological debates. This new edition continues its exploration of criminal justice history right through to the present day and discusses recent events in the criminal justice world. Each chapter now ends with a 'Modern Parallels' section - a detailed case study providing historical analysis pertinent to a specific contemporary issue in the field of criminal justice and drawing parallels between historical context and modern phenomenon. Each chapter also includes a 'Key Questions' section, which guides the reader towards appropriate sources for further study. The authors draw on their in-depth knowledge and provide an accessible and lively guide for those approaching the subject for the first time, or those wishing to deepen their knowledge. This makes the book essential reading for those teaching or studying modules on criminal justice, policing and youth justice"--Provided by publisher.CrimeGreat BritainHistoryPoliceGreat BritainHistoryCriminal justice, Administration ofGreat BritainHistoryCrimeHistory.PoliceHistory.Criminal justice, Administration ofHistory.364.941HIS015000HIS054000SOC004000bisacshGodfrey Barry S.1114940Lawrence Paul(Paul Morgan)1201841Lawrence Paul1201841MiAaPQMiAaPQMiAaPQBOOK9910964925703321Crime and justice since 17504489561UNINA