04375nam 22007095 450 991101864170332120250728130247.03-031-69762-610.1007/978-3-031-69762-3(CKB)39767172400041(MiAaPQ)EBC32253078(Au-PeEL)EBL32253078(DE-He213)978-3-031-69762-3(EXLCZ)993976717240004120250728d2025 u| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierCartoon Conflicts Contemporary Controversies and Historical Precedents /edited by Richard Scully, Paulo Jorge Fernandes, Ritu Gairola Khanduri1st ed. 2025.Cham :Springer Nature Switzerland :Imprint: Palgrave Macmillan,2025.1 online resource (523 pages)Palgrave Studies in the History of the Media,2634-65833-031-69761-8 1: Introduction -- 2: The Political Cartoon – History and Historiography -- 3: Striking Weapons: Cartoons during the American Civil War, 1861-1865 -- 4: Culture Wars within a ‘United’ Kingdom: Irish Cartoons in a British Empire, 1870-1872 -- 5: Caricature and identity crisis on the satirical war between Punch and Pontos nos ii (1889-90) -- 6: ‘“Why should public men be held up to ridicule?”: The George Reid Caricature Controversy of 1904 and its Echoes in the Continuities and Discontinuities in Australia in 2012 -- 7: The Conspiracy of Laughter: Cartoons and their Critics in India -- 8: Brazilian Disputed Imaginaries: Graphic Humour in the Black and Indigenous Press in the 1970s-80s -- 9: The Decade of Jyllands Posten and Charlie Hebdo: 2005-2015 -- 10: Mark Knight versus Serena Williams – Game, Set, and Match for Political Correctness? -- 11: A Blind Man and a Dog Walk into a Cartoon: The Limits of Humour, Antisemitism and Racism and Informal Censorship in the Contemporary Liberal Press -- 12: Zapiro as Zorro: Political Cartooning during the South African HIV/AIDS Crisis -- 13: Conclusion.This edited collection of new research highlights the way in which the cartoon - long regarded as a staple of journalism and freedom of expression - faces new challenges in the twenty-first century that can be far better understood and appreciated if one takes an historical perspective. Current debates over the limits of freedom of expression, 'political correctness', and 'cancel culture' all have their precedents in past controversies over cartoons and caricature; indeed there is a definite continuum between these past instances of debate and their present manifestations. Chapters 2 and 10 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com. Richard Scully is Professor in Modern History at the University of New England, Australia. Paulo Jorge Fernandes is Assistant Professor in History at Universidade Nova de Lisboa, Portugal. Ritu Gairola Khanduri is Associate Professor in Sociology and Anthropology at the University of Texas at Arlington, USA.Palgrave Studies in the History of the Media,2634-6583CivilizationHistoryJournalismWorld historyHistory, ModernPrintingPublishers and publishingCultural HistoryVisual JournalismWorld History, Global and Transnational HistoryModern HistoryPrinting and PublishingCivilizationHistory.Journalism.World history.History, Modern.Printing.Publishers and publishing.Cultural History.Visual Journalism.World History, Global and Transnational History.Modern History.Printing and Publishing.320.0207Scully Richard1378546Fernandes Paulo Jorge1836434Gairola Khanduri Ritu1836435MiAaPQMiAaPQMiAaPQBOOK9911018641703321Cartoon Conflicts4414558UNINA