03297nam 22005775 450 991101606790332120250721130836.03-658-48394-610.1007/978-3-658-48394-4(CKB)39698490600041(MiAaPQ)EBC32227332(Au-PeEL)EBL32227332(DE-He213)978-3-658-48394-4(EXLCZ)993969849060004120250721d2025 u| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierDiscrete Holography: Through the Quantum Information Looking-Glass /by Pablo Basteiro1st ed. 2025.Wiesbaden :Springer Fachmedien Wiesbaden :Imprint: Springer Spektrum,2025.1 online resource (589 pages)3-658-48393-8 Introduction -- Foundations -- Discrete Approaches to Holography -- Quantum Information and Holography -- Conclusions and Outlook.How can we reconcile general relativity with quantum mechanics? One promising approach is the holographic principle, which posits that quantum gravity can be described by a lower-dimensional theory without gravity. This book advances the field of discrete holography by building models on discretizations of hyperbolic space, extending the AdS/CFT correspondence and enabling experimental tests of holographic predictions. The first part develops discrete bulk models on hyperbolic tilings, exploring scalar field instability and correlation functions, and proposes electric circuits as experimental platforms. The second part constructs boundary theories as disordered spin chains and analyzes their entanglement via tensor networks. The final part investigates quantum information measures—circuit complexity, geometric quantum discord, and operator algebras—to probe black hole properties in holographic dualities. This work uncovers new insights into holography and bridges theoretical concepts with experimental realizations. About the author Pablo Basteiro holds a Ph.D. in theoretical physics from the Julius-Maximilians University of Würzburg, specializing in discrete holography and the AdS/CFT correspondence. His research explores discrete holographic dualities using hyperbolic tilings, linking quantum information theory, high-energy physics, and potential experimental tests of holography. He now works as a quantitative consultant, applying his analytical skills to data analysis and modeling.Quantum computingQuantum theoryPhysicsAstronomyQuantum InformationQuantum PhysicsPhysics and AstronomyQuantum computing.Quantum theory.Physics.Astronomy.Quantum Information.Quantum Physics.Physics and Astronomy.530.12003.54Basteiro Pablo1834405MiAaPQMiAaPQMiAaPQBOOK9911016067903321Discrete Holography: Through the Quantum Information Looking-Glass4412641UNINA02997nam 22004813 450 991098468230332120251121084509.097815017692071501769200(CKB)5580000000524048(BIP)084300329(MiAaPQ)EBC6992537(Perlego)3863413(Au-PeEL)EBL6992537(OCoLC)1373347480(EXLCZ)99558000000052404820251121d2023 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierBandits in Print The Water Margin and the Transformations of the Chinese Novel1st ed.Ithaca :Cornell University Press,2023.©2023.1 online resource (192 p.) ill9781501769191 1501769197 Bandits in Print -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: The Bandits' Reception -- 1. "Falsifying a Biography Brought Him Power": The "Wuding Editions" of Guo Xun -- 2. "One Freshly Slaughtered Pig, Two Flagons of Jinhua Wine . . . and a Small Book": The Censorate Edition -- 3. After the Fire: Li Kaixian, The Precious Sword, and the "Xiong Damu Mode" -- 4. Characters in the Margins: The Commercial Editions -- 5. "The Art of Subtle Phrasing Has Been Extinguished": The Jin Shengtan Edition -- Conclusion: Bandits in Print -- Selected List of Characters -- Notes -- Bibliography -- Index.Bandits in Print examines the world of print in early modern China, focusing on the classic novel The Water Margin (Shuihu zhuan). Depending on which edition a reader happened upon, The Water Margin could offer vastly different experiences, a characteristic of the early modern Chinese novel genre and the shifting print culture of the era.Scott W. Gregory argues that the traditional novel is best understood as a phenomenon of print. He traces the ways in which this particularly influential novel was adapted and altered in the early modern era as it crossed the boundaries of elite and popular, private and commercial, and civil and martial. Moving away from ultimately unanswerable questions about authorship and urtext, Gregory turns instead to the editor-publishers who shaped the novel by crafting their own print editions. By examining the novel in its various incarnations, Bandits in Print shows that print is not only a stabilizing force on literary texts; in particular circumstances and with particular genres, the print medium can be an agent of textual change.Bandits in PrintLanguage and languagesLanguage arts & disciplines895.134609Gregory Scott W1440125MiAaPQMiAaPQMiAaPQBOOK9910984682303321Bandits in Print3602722UNINA