04094nam 2200745Ia 450 991097422790332120200520144314.097866134319509781283431958128343195597802520914450252091442(CKB)2550000000088910(OCoLC)654670515(CaPaEBR)ebrary10532321(SSID)ssj0000600794(PQKBManifestationID)11356597(PQKBTitleCode)TC0000600794(PQKBWorkID)10602093(PQKB)11335414(MiAaPQ)EBC3413849(MdBmJHUP)muse23787(Au-PeEL)EBL3413849(CaPaEBR)ebr10532321(CaONFJC)MIL343195(OCoLC)923493023(Perlego)2382400(EXLCZ)99255000000008891020071121d2008 ub 0engurcn|||||||||txtrdacontentcrdamediacrrdacarrierGerman film after Germany toward a transnational aesthetic /Randall Halle1st ed.Urbana University of Illinois Pressc20081 online resource (255 pages)Bibliographic Level Mode of Issuance: Monograph9780252075384 0252075382 9780252033292 0252033299 Includes bibliographical references (p. [219]-228) and indexes.Cover -- Title Page -- Copyright Page -- Contents -- Acknowledgments -- Abbreviations -- Introduction: The Work of Film in the Age of Transnational Production -- 1. Apprehending Transnationalism -- 2. German Film, Aufgehoben: Ensembles of Transnational Cinema -- 3. The Transnational Aesthetic: Volker Schlondorff, Studio Babelsberg, and Vivendi Universal -- 4. The Historical Genre and the Transnational Aesthetic -- 5. Inhabitant, Exhabitant, Cohabitant: Filming Migrants and the Borders of Europe -- 6. Transfrontier Broadcasting, Transnational Civil Society -- Notes -- Bibliography -- Subject Index -- Film Index.What is the work of film in the age of transnational production? To answer that question, Randall Halle focuses on the film industry of Germany, one of Europe's largest film markets and one of the world's largest film-producing nations. In the 1990s Germany experienced an extreme transition from a state-subsidized mode of film production that was free of anxious concerns about profit and audience entertainment to a mode dominated by private interest and big capital. At the same time, the European Union began actively drawing together the national markets of Germany and other European nations, sublating their individual significances into a synergistic whole. This book studies these changes broadly, but also focuses on the transformations in their particular national context. It balances film politics and film aesthetics, tracing transformations in financing along with analyses of particular films to describe the effects on the film object itself. Halle concludes that we witness currently the emergence of a new transnational aesthetic, a fundamental shift in cultural production with ramifications for communal identifications, state cohesion, and national economies. Motion picture industryGermanyMotion picture industryFinanceCoproduction (Motion pictures, television, etc.)EuropeNoncitizens in motion picturesMotion picturesGermanyMotion picture industryMotion picture industryFinance.Coproduction (Motion pictures, television, etc.)Noncitizens in motion pictures.Motion pictures384/.8094309049Halle Randall1615793MiAaPQMiAaPQMiAaPQBOOK9910974227903321German film after Germany4365510UNINA01327nam0-2200337---450 991101117900332120250624101424.020250623g18821887km-y0itay50------bagerDEy-------001yyHandwörterbuch der Mineralogie, Geologie und Palæontologieherausgegeben von A. Kenngottunter Mitwirkung von A. von Lasaulx und F. RolleBreslauEduard Trewendt1882-18873 v.26 cmEncyklopædie der Naturwissenschaften1.: 550 p. ; 2.: 495 p.Mineralogia54923itaKenngott,Johann Gustav Adolf1829551Lasaulx,Arnold Costantin Peter Franz : VonRolle,FriedrichITUNINAREICATUNIMARCVisualizza la versione elettronica in EROMMhttps://www.digitale-sammlungen.de/en/view/bsb11558290?page=6,720250623Visualizza la versione elettronica in EROMMhttps://www.digitale-sammlungen.de/en/view/bsb11558291?page=4,520250623BK9911011179003321M 1 VII 4 (125768NAP14M 1 VII 4 (225768NAP14NAP14Handwörterbuch der Mineralogie, Geologie und Palæontologie4398982UNINA