03521oam 2200577 c 450 99630882000331620231110230409.03-8394-0833-410.14361/9783839408339(CKB)3710000000482759(OAPEN)1007598(DE-B1597)461283(OCoLC)1013947296(OCoLC)958034853(DE-B1597)9783839408339(MiAaPQ)EBC5494292(Au-PeEL)EBL5494292(OCoLC)1049912355(transcript Verlag)9783839408339(MiAaPQ)EBC6955757(Au-PeEL)EBL6955757(oapen)https://directory.doabooks.org/handle/20.500.12854/35039(EXLCZ)99371000000048275920220221d2015 uy 0geruuuuu---auuuutxtrdacontentcrdamediacrrdacarrierUnheimliche InskriptionenEine Studie zu Körperbildern im postklassischen HorrorfilmCatherine Shelton1st ed.Bielefeldtranscript Verlag20151 online resource (384) Film3-89942-833-1 Frontmatter 1 Inhalt 5 I. Einleitung 9 II. Der Körper 43 III. Der Horrorfilm 109 IV. Der monströse Körper 165 V. Der kranke Körper 221 VI. Der tote Körper 271 VII. Der offene und zerstückelte Körper 319 VIII. Schluss 351 Literatur 357 Backmatter 381Der Horrorfilm lässt Erscheinungsformen des Körpers sichtbar werden, die in übrigen Diskursen meist ausgeschlossen oder verworfen werden. Diese genrespezifischen Strategien der Visualisierung zeigen ein »Unzeigbares«, das nicht nur zum abweichenden Gegenbild des Körpers, sondern auch zum Faszinosum und Spektakel erhoben wird. Die Studie deutet diese Körperbilder vor dem Hintergrund kultureller Konzeptionen des Körperlichen und erschließt die heterogenen und historischen Dimensionen, die sich in ihnen einzeichnen. Im Zentrum stehen dabei die Themenfelder Monstrosität, phantastische Krankheit und Tod.»Die Anlage, der theoretische Aufbau der Studie sowie die inhaltliche Detailfülle dieser Studie [sind] von ausgezeichneter Qualität [...].« Björn Schäffer, MEDIENwissenschaft, 2 (2009) »Catherine Sheltons Zugang zu den Körperbildern im Horrorfilm verspricht eine Vielzahl von Diskurssträngen, aus denen die dem Genre zugrundeliegende ästhetische Wirkabsicht des Unheimlichen, Schockierenden und Ekelerregenden bezogen wird, ans Licht zu befördern und so die Horrorforschung durch eine Genealogie genreüblicher Motive des Körperlichen, die insbesondere im ›postklassischen‹ Horrorfilm als spektakelhafter, filmischer Exzess in den Vordergrund treten, zu bereichern.« Jörg Hackfurth, www.literaturkritik.de, 5 (2009) Besprochen in: film-dienst, 1 (2009)Film Horrorfilm; Körper; Tod; Krankheit; Monstrum; Film; Medienwissenschaft; Body; Media Studies;Film.Media Studies.Horrorfilm; Körper; Tod; Krankheit; Monstrum; Film; Medienwissenschaft; Body; Media Studies;AP 53900rvkShelton Catherineaut973809DE-B1597DE-B1597BOOK996308820003316Unheimliche Inskriptionen2216322UNISA05335nam 22005893u 450 991100678570332120240410061842.01-78242-357-5(CKB)3710000000468826(EBL)2197271(MiAaPQ)EBC2197271(EXLCZ)99371000000046882620150906d2015 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierSustainable Apparel Production, Processing and Recycling /Richard BlackburnBurlington Elsevier Science20151 online resource (287 p.)Woodhead Publishing Series in TextilesDescription based upon print version of record.1-78242-339-7 Front Cover; Sustainable Apparel: Production, Processing and Recycling; Copyright; Contents; List of contributors; Woodhead Publishing Series in Textiles; Part One: Sustainable finishing and dyeing processes for textiles ; Chapter 1: Environmentally friendly fabric finishes; 1.1 Introduction; 1.2 Waste minimization in fabric finishing; 1.3 Chemical substitution; 1.3.1 Easy-care finishes; 1.3.2 Flame retardants; 1.3.3 Fluorocarbons for DWOR behavior; 1.3.4 Phthalates in PVC-coated fabrics; 1.3.5 DMF in PU coatings; 1.4 Reusable binders1.5 Water-free and high solid finishing formulations1.6 Use of biobased and/or biodegradable finishes; 1.6.1 Biobased/biodegradable binders; 1.6.2 Biobased additives; 1.7 Regulations; 1.7.1 Water Framework Directive; 1.7.2 European emission limits; 1.7.3 Operating and market restrictions on hazardous substances; 1.8 Future trends; 1.9 Conclusion; Acknowledgments; Sources of further information and advice; References; Chapter 2: Processes for reducing the environmental impact of fabric finishing; 2.1 Introduction; 2.2 Waste minimization in fabric finishing2.2.1 Energy-efficient and water-saving finishing processes2.3 Wastewater treatment and management; 2.3.1 Coagulation and/or flocculation; 2.3.2 Membranes (nanofiltration); 2.3.3 Chemical oxidation; 2.3.4 Evapoconcentration: Evaporation via mechanical vapor recompression; 2.3.5 Biological treatment (membrane bioreactor); 2.3.6 Powdered activated carbon treatment; 2.4 Regulations; 2.5 Future trends; 2.6 Conclusion; Acknowledgments; Sources of further information and advice; Treatment of wastewater ; Waste minimization; Legislation; ReferencesChapter 3: Plasma treatments for sustainable textile processing3.1 Introduction; 3.1.1 Pretreatment process; 3.1.2 Coloration process; 3.1.3 Finishing process; 3.1.4 Development of nonaqueous sustainable treatment; 3.2 Plasma treatments used in textile processing; 3.2.1 Plasma application in cotton fiber; 3.2.1.1 Pretreatment of cotton; 3.2.1.2 Dyeing of cotton; 3.2.1.3 Printing of cotton; 3.2.1.4 Finishing of cotton; Color fading treatment; Flammability treatment; Combined water repellency and antimicrobial treatment; Formaldehyde-free wrinkle-resistant treatment3.2.2 Plasma application in wool fiber3.2.2.1 Pretreatment of wool; 3.2.2.2 Dyeing of wool; 3.2.2.3 Printing of wool; 3.2.2.4 Finishing of wool; Shrinkage control treatment; Antimicrobial treatment; 3.2.3 Plasma application in synthetic fiber; 3.2.3.1 Pretreatement of synthetic fiber; Polyester; Nylon (polyamide); Acrylic (polyacrylonitrile); 3.2.3.2 Dyeing of synthetic fiber; Polyester; Nylon (polyamide); Acrylic (polyacrylonitrile); 3.2.3.3 Printing of synthetic fiber; Conventional printing; Digital Inkjet printing; 3.2.3.4 Finishing of synthetic fiber; PolyesterAntistatic treatmentSustainability is an issue that increasingly concerns all those involved in the apparel industry, including textile manufacturers, apparel designers, retailers and consumers. This important book covers recent advances and novel technologies in the key areas of production, processing and recycling of apparel. Part One addresses sustainable finishing and dyeing processes for textiles. The first two chapters concentrate on the environmental impact of fabric finishing, including water consumption, emissions and waste management. Further chapters focus on plasma and enzymatic treatments for sustainable textile processing, and the potential for improving the sustainability of dyeing technologies. Part Two covers issues of design, retail and recycling, and includes discussions of public attitudes towards sustainability in fashion, methods of measuring apparel sustainability and social trends in the re-use of apparel.Woodhead Publishing Series in TextilesTextilesTextile IndustryTextile fabricsSustainable designClothingTextiles.Textile Industry.Textile fabrics.Sustainable design.Clothing.646.4Blackburn Richard1825465AU-PeELAU-PeELAU-PeELCaOWABOOK9911006785703321Sustainable Apparel4393151UNINA