01005nam0 22002771i 450 UON0038045920231205104525.42583-912351-4-920100421d2001 |0itac50 bapolPL|||| 1||||Z NiegroduJanna SlosarskaLodzWydzialu Kultury Urzedu Miasta Lodzi200142 p.ill.23 cm.Dono prof. WilkonIT-UONSI POLACCOASLOS/0001PLŁódźUONL003143891.85Letteratura polacca21SLOSARSKAJoannaUONV196426703973Corre StudioUONV277248650ITSOL20240220RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00380459SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI POLACCO A SLOS 0001 SI EO 45640 5 0001 Dono prof. WilkonZ Niegrodu1357074UNIOR03390nam 22005415 450 991100146340332120240923160924.03-030-03877-710.1007/978-3-030-03877-9(CKB)4100000007810209(MiAaPQ)EBC5732712(DE-He213)978-3-030-03877-9(EXLCZ)99410000000781020920190315d2019 u| 0engur|n#||||||||txtrdacontentcrdamediacrrdacarrierAnimal Visions Posthumanist Dream Writing /by Susan Mary Pyke1st ed. 2019.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2019.1 online resource (314 pages)Palgrave Studies in Animals and Literature,2634-63463-030-03876-9 Includes bibliographical references and index.1. Introduction: Emplaced Readerly Devotions -- 2. Artful Dream Writing into the Roots -- 3. Ghosts: of Writing, at Windows, in Mirrors, on Moors -- 4. Moor Loving -- 5. Respecting and Trusting the Beast -- 6. Animal Grace.Animal Visions considers how literature responds to the harms of anthropocentricism, working with Emily Brontë's Wuthering Heights (1847) and various adaptations of this canonistic novel to show how posthumanist dream writing unsettles the privileging of the human species over other species. Two feminist and post-Freudian responses, Kathy Acker's poem "Obsession" (1992) and Anne Carson's "The Glass Essay" (1997) most strongly extend Brontë's dream writing in this direction. Building on the trope of a ludic Cathy ghost who refuses the containment of logic and reason, these and other adaptations offer the gift of a radical peri-hysteria. This emotional excess is most clearly seen in Kate Bush's music video "Wuthering Heights" (1978) and Peter Kosminsky's film Wuthering Heights (1992). Such disturbances make space for a moor love that is particularly evident in Jane Urquhart's novel Changing Heaven (1989) and, to a lesser extent Sylvia Plath's poem, "Wuthering Heights" (1961). Brontë's Wuthering Heights and its most productive afterings make space for co-affective relations between humans and other animal beings. Andrea Arnold's film Wuthering Heights (2011) and Luis Buñuel's Abismos de Pasión (1954) also highlight the rupturing split gaze of non-acting animals in their films. In all of these works depictions of intra-active and entangled responses between animals show the potential for dynamic and generative multispecies relations, where the human is one animal amongst the kin of the world.Palgrave Studies in Animals and Literature,2634-6346European literatureFictionLiteraturePhilosophyEuropean LiteratureFiction LiteratureLiterary TheoryEuropean literature.Fiction.LiteraturePhilosophy.European Literature.Fiction Literature.Literary Theory.809.93362820.9362Pyke Susan Mary1818471BOOK9911001463403321Animal Visions4377648UNINA