01306nam0 22003011i 450 UON0030317320231205104016.904978-95-16-53350-920071030d2007 |0itac50 baengENGFI|||| |||||ˆThe ‰Roman Republican Navyfrom the sixth century to 167 B.C. / Christa SteinbyHelsinkiSocietas Scientiarum Fennica2007236 p.25 cmSocietas Scientiarum Fennica HelsinkiIT-UONSI Q 6001123/2007001UON000874442001 Commentationes Humanarum Litterarum123MARINA MILITARERoma anticaEta' repubblicanaUONC067026FIFIHelsinkiUONL000062355.00937ARTE E SCIENZA MILITARE. Italia antica21STEINBYChristaUONV174126628490Societas Scientiarum FennicaUONV025413650ITSOL20240220RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00303173SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI Q 6 001 123 2007 SI MC 31466 5 2007 Societas Scientiarum Fennica HelsinkiRoman republican navy1229936UNIOR03884nam 22006495 450 991098838430332120251027045727.00-7766-4493-910.1515/9780776644936(CKB)38180440900041(DE-B1597)782978(DE-B1597)9780776644936(OCoLC)1482377845(MdBmJHUP)musev2_135009(EXLCZ)993818044090004120250423h20252025 fg engur|||||||||||txtrdacontentcrdamediacrrdacarrierStaging Prison Theatre in Canada Setting the Spotlight on William Head on Stage /Thana Ridha, Sylvie FrigonDigital ed.Ottawa : University of Ottawa Press, [2025]20251 online resource (122 p.) 7 black and with photos0-7766-4490-4 0-7766-4491-2 Includes bibliographical references and index.Frontmatter -- Table of Contents -- List of Figures -- List of Tables -- Foreword -- Acknowledgements -- CHAPTER 1 The Opening Script -- CHAPTER 2 Setting the Stage -- CHAPTER 3 Freedom from Within -- CHAPTER 4 The Ensemble -- CHAPTER 5 Character Development -- CHAPTER 6 Revising the Script -- CHAPTER 7 Curtain Call -- Appendix A Literature -- Appendix B WHoS Productions and Projects -- Appendix C Methodological Considerations -- References"For over forty years, William Head on Stage (WHoS) has operated as an inmate-run prison theatre, making it one of Canada’s longest-standing prison arts initiatives. Staging Prison Theatre in Canada: Setting the Spotlight on William Head on Stage delves into the story of WHoS through the voices of the men involved, offering a unique criminological perspective that situates their experiences within the prison context. The analysis explores how WHoS creates an alternative space within the social and emotional realities of incarceration. By unlocking participants’ capacities, skills, and confidence, the initiative fosters a sense of agency and community both inside the prison and beyond. WHoS becomes a space for transformation, offering men opportunities to re-imagine themselves and build meaningful connections. This work underscores the broader significance of arts-based initiatives like WHoS, not only within prisons but also in the fields of criminology, theatre, and community engagement. It offers valuable insights for correctional administrators, criminologists, theatre practitioners, scholars, students, and anyone interested in the intersection of art and rehabilitation."--Provided by publisher.SOCIAL SCIENCE / CriminologybisacshElectronic books. Arts-Based Initiatives.Canadian Prison Arts.Community Engagement in Prisons.Criminology and Theatre.Inmate Arts Programs.Prison Rehabilitation.Prison Theatre.Rehabilitation through Arts.Social Impact of Theatre.Theatre in Incarceration.Transformative Justice.William Head on Stage.SOCIAL SCIENCE / Criminology.365/.668Ridha Thana, authttp://id.loc.gov/vocabulary/relators/aut1817497Frigon Sylvie, authttp://id.loc.gov/vocabulary/relators/autLuther Jeni, ctbhttps://id.loc.gov/vocabulary/relators/ctbRubin Kate, ctbhttps://id.loc.gov/vocabulary/relators/ctbDE-B1597DE-B1597BOOK9910988384303321Staging Prison Theatre in Canada4375767UNINA