03457nam 2200577I 450 991097825030332120231207032734.09780472904303047290430210.3998/mpub.12081134(CKB)5690000000423284(MiU)10.3998/mpub.12081134(MiAaPQ)EBC31893943(Au-PeEL)EBL31893943(OCoLC)1412383044(MdBmJHUP)musev2_133547(ODN)ODN0011588472(EXLCZ)99569000000042328420231207h20242024 uy 0enguruna||||||||txtrdacontentcrdamediacrrdacarrierOpera for everyone the industry's experiments with American opera in the digital age /Megan Steigerwald Ille1st ed.Ann Arbor, Michigan :University of Michigan Press,2024.©20241 online resource (1 volume illustrations)Title from eBook information screen..9780472056644 0472056646 9780472076642 0472076647 Includes bibliographical references (pages 259-273) and index.Opera as Mobile Music : Invisible Cities -- Operatic Economics : Liveness and Labor in Hopscotch -- Experiments with Institutionality : Galileo, War of the Worlds, and ATLAS -- "What You Remember Doesn't Matter" : Toward an Anticolonial Opera.Opera for Everyone: The Industry's Experiments with American Opera in the Digital Age draws on seven years of multi-sited ethnography to examine the acclaimed experimental productions of Los Angeles-based opera company The Industry. Steigerwald Ille understands The Industry's productions as part of an emerging wave of U.S. operas that integrate new media and interactive performance through means such as site-specificity and simulcast video, and then traces the company's path from Crescent City (2012), the company's first production, to Sweet Land (2020), the company's final production before switching to a new production model. Steigerwald Ille argues that by moving opera outside of the opera house, The Industry's productions expose the economic and aesthetic structures key to the circulation of operatic performance at the same time that they deploy opera as a tool for digital listening, community engagement, popular entertainment, and commentary on systemic racism and settler colonialism. Through ethnographic work with The Industry's creators and performers, and close examination of the company's first decade of work, this book reveals how The Industry paradoxically provides both a roadmap and boundary line for experimental and traditional companies trying to find new ways to approach operatic performance in the twenty-first century United States.OperasPerformancesSocial aspectsUnited StatesOperaProduction and directionOperasPerformancesSocial aspectsOperaProduction and direction.782.109794/94MUS028000PER000000bisacshSteigerwald Ille Megan1987-1789163Michigan Publishing (University of Michigan),EYMEYMBOOK9910978250303321Opera for everyone4324567UNINA