04078nam 22008534a 450 991096758840332120200520144314.097866111260879781281126085128112608X9780226789675022678967510.7208/9780226789675(CKB)1000000000405002(EBL)408400(OCoLC)476228875(SSID)ssj0000218632(PQKBManifestationID)12058837(PQKBTitleCode)TC0000218632(PQKBWorkID)10221058(PQKB)11253156(SSID)ssj0000282700(PQKBManifestationID)11207527(PQKBTitleCode)TC0000282700(PQKBWorkID)10325920(PQKB)22997627(StDuBDS)EDZ0000122941(MiAaPQ)EBC408400(DE-B1597)523423(OCoLC)781254909(DE-B1597)9780226789675(Au-PeEL)EBL408400(CaPaEBR)ebr10209967(CaONFJC)MIL112608(Perlego)1834097(EXLCZ)99100000000040500220030204d2004 uy 0engurnn#---|u||utxtccrPaternal tyranny /Arcangela Tarabotti ; edited and translated by Letizia Panizza1st ed.Chicago University of Chicago Press20041 online resource (214 p.)The other voice in early modern EuropeDescription based upon print version of record.9780226789668 0226789667 9780226789651 0226789659 Includes bibliographical references (p. 33-36) and index.Front matter --CONTENTS --ACKNOWLEDGMENTS --THE OTHER VOICE IN EARLY MODERN EUROPE: INTRODUCTION TO THE SERIES --VOLUME EDITOR'S BIBLIOGRAPHY --PATERNAL TYRANNY --APPENDIX ONE: ARCANGELA TARABOTTI --APPENDIX TWO: FERRANTE PALLAVICINO --SERIES EDITOR'S BIBLIOGRAPHY --INDEXSharp-witted and sharp-tongued, Arcangela Tarabotti (1604-52) yearned to be formally educated and enjoy an independent life in Venetian literary circles. But instead, at sixteen, her father forced her into a Benedictine convent. To protest her confinement, Tarabotti composed polemical works exposing the many injustices perpetrated against women of her day. Paternal Tyranny, the first of these works, is a fiery but carefully argued manifesto against the oppression of women by the Venetian patriarchy. Denouncing key misogynist texts of the era, Tarabotti shows how despicable it was for Venice, a republic that prided itself on its political liberties, to deprive its women of rights accorded even to foreigners. She accuses parents of treating convents as dumping grounds for disabled, illegitimate, or otherwise unwanted daughters. Finally, through compelling feminist readings of the Bible and other religious works, Tarabotti demonstrates that women are clearly men's equals in God's eyes. An avenging angel who dared to speak out for the rights of women nearly four centuries ago, Arcangela Tarabotti can now finally be heard.Other voice in early modern Europe.Monastic and religious life of womenItalyVeniceWomenItalyVeniceSocial conditionsPatriarchyReligious aspectsCatholic ChurchWomenReligious aspectsCatholic ChurchMonastic and religious life of womenWomenSocial conditions.PatriarchyReligious aspectsCatholic Church.WomenReligious aspectsCatholic Church.305.42Tarabotti Arcangela223346Panizza Letizia486928MiAaPQMiAaPQMiAaPQBOOK9910967588403321Paternal tyranny4367374UNINA04234nam 22005293 450 991097538020332120241028084505.01-4529-6521-8(MiAaPQ)EBC30752038(Au-PeEL)EBL30752038(CKB)36393412500041(EXLCZ)993639341250004120241028d2024 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierGood Pictures Are a Strong Weapon Laura Gilpin, Queerness, and Navajo Sovereignty1st ed.Minneapolis :University of Minnesota Press,2024.©2024.1 online resource (317 pages)1-5179-1073-0 Introduction : queer intersections -- Looking like a lesbian -- The price of salt -- Seeing the four sacred mountains -- A Navaho family -- New ceremonies -- Conclusion : queer translation."A fundamental dilemma exists in documentary photography: can white artists successfully portray Indigenous lives and communities in a manner that neither appropriates nor romanticizes them? With an attentive and sensitive eye, Louise Siddons examines lesbian photographer Laura Gilpin's classic 1968 book The Enduring Navaho to illuminate the intersectional politics of photography, Navajo sovereignty, and queerness over the course of the twentieth century"--Provided by publisher."What are the limits of political solidarity, and how can visual culture contribute to social change? A fundamental dilemma exists in documentary photography: can white artists successfully portray Indigenous lives and communities in a manner that neither appropriates nor romanticizes them? With an attentive and sensitive eye, Louise Siddons examines lesbian photographer Laura Gilpin's classic 1968 book The Enduring Navaho to illuminate the intersectional politics of photography, Navajo sovereignty, and queerness over the course of the twentieth century. Gilpin was a New York-trained fine arts photographer who started working with Navajo people when her partner accepted a job as a nurse in Arizona. She spent more than three decades documenting Navajo life and creating her book in collaboration with Navajo friends and colleagues. Framing her lesbian identity and her long relationship with the Navajo people around questions of allyship, Good Pictures Are a Strong Weapon addresses the long and problematic history of white photographers capturing images of Native life. Simultaneously, Siddons uses Gilpin's work to explore the limitations of white advocacy in a political moment that emphasized the need for Indigenous visibility and voices. Good Pictures Are a Strong Weapon introduces contemporary Diné (Navajo) artists as interlocutors, critics, and activists whose work embodies and extends the cultural sovereignty politics of earlier generations and makes visible the queerness often left implicit in Gilpin's photographs. Siddons puts their work in conversation with Gilpin's, taking up her mandate to viewers and readers of The Enduring Navajo to address Navajo aesthetics, traditions, politics, and people on their own terms. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions"--Provided by publisher.Navajo IndiansPortraitsIndians of North AmericaSouthwest, NewPortraitsLesbian photographersUnited StatesBiographyPHOTOGRAPHY / CriticismbisacshSOCIAL SCIENCE / LGBTQ+ Studies / Lesbian StudiesbisacshNavajo IndiansPortraits.Indians of North AmericaPortraits.Lesbian photographersPHOTOGRAPHY / CriticismSOCIAL SCIENCE / LGBTQ+ Studies / Lesbian Studies779.092PHO005000SOC017000bisacshSiddons Louise1820721MiAaPQMiAaPQMiAaPQBOOK9910975380203321Good Pictures Are a Strong Weapon4383100UNINA