05651oam 2200697I 450 991097473520332120190826145055.094-012-0258-31-4237-8851-610.1163/9789401202589(CKB)1000000000462549(EBL)556824(OCoLC)70791649(SSID)ssj0000108085(PQKBManifestationID)12026415(PQKBTitleCode)TC0000108085(PQKBWorkID)10035616(PQKB)10096891(MiAaPQ)EBC556824(OCoLC)70791649(OCoLC)150379728(OCoLC)714567426(OCoLC)744551167(OCoLC)764535810(nllekb)BRILL9789401202589(Au-PeEL)EBL556824(CaPaEBR)ebr10380136(CaONFJC)MIL989350(EXLCZ)99100000000046254920060801d2005 uy 0engurcn|||||||||txtrdacontentcrdamediacrrdacarrierAvant-garde/Neo-avant-garde /edited by Dietrich Scheunemann1st ed.Amsterdam :Rodopi,2005.1 online resource (346 pages) illustrations, portraitAvant Garde critical studies ;17Contributions mostly based on papers previously presented at a conference held in Edinburgh in Sept. 2002.90-420-1925-5 Includes bibliographical references and index.Preliminary Material /Dietrich Scheunemann -- Preface /Dietrich Scheunemann -- From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde /DIETRICH SCHEUNEMANN -- Wilhelm Worringer and the Historical Avant-Garde /RHYS W. WILLIAMS -- On the Historiographic Distinction between Historical and Neo-Avant-Garde /HUBERT VAN DEN BERG -- Abstraction, Sublation and the Avant-Garde: The Case of De Stijl /MICHAEL WHITE -- Sameness and Difference: Duchamp’s Editioned Readymades and the Neo-Avant-Garde /DAVID HOPKINS -- Paint it Black: Ad Reinhardt’s Paradoxical Avant-Gardism /BEN HIGHMORE -- Verbal Chemistry and Concrete Poetry /KEITH ASPLEY -- How the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry /ANNA KATHARINA SCHAFFNER -- American Language Poetry and the Definition of the Avant-Garde /JACOB EDMOND -- From Futurism to Neo-Futurism: Continuities and New Departures in Twentieth-Century Avant-Garde Performance /GÜNTER BERGHAUS -- Actor or Puppet: The Body in the Theatres of the Avant-Garde /OLGA TAXIDOU -- Fragmentation of the Body in Spanish Surrealism /UTA FELTEN -- The Surface of Illusion: Avant-Garde Apperception and Antecedence in Structural/Materialist Film /DAVID MACRAE -- What Avant-Garde? /GÉRARD LEBLANC -- The Limits of “Non-Plan”: Architecture and the Avant-Garde /RICHARD WILLIAMS -- Montage in the Arts: A Reassessment /JENNIFER VALCKE -- Means and Metaphors of Change: Technology and the Danish Avant-Garde of the 1960s /TANIA ØRUM -- Literature under the Impact of Film: On Dutch Author-Critics of the Avant-Garde and Neo-Avant-Garde /KLAUS BEEKMAN -- List of Illustrations /Dietrich Scheunemann -- Index /Dietrich Scheunemann.This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the various avant-garde movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Individual essays concentrate on cubist collage and dadaist photomontage, on abstract painting by members of the Dutch group De Stijl , on verbal chemistry and dadaist poetry and on body art from futurism to surrealism. In addition, the collection wishes to open up the discussion of the avant-garde to a thorough investigation of neo-avant-garde activities in the 1950s and 1960s. For decades the appreciation of neo-avant-garde art and literature, film and architecture suffered from a general and all-inclusive rebuke. This volume is designed to contribute to a breakthrough towards a more competent and more precise investigation of this research field. Contributions include a discussion of Warhol’s multiples as well as Duchamp’s editioned readymades, forms of concrete and digital poetry as well as the architectural “Non-Plan”. The main body of the volume is based on presentations and discussions of a three-day research seminar held at the University of Edinburgh in September 2002. The research group formed around the Avant-Garde Project at Edinburgh will continue with its efforts to elaborate a new theory of the avant-garde in the coming years.Avant-Garde Critical Studies17.Avant-garde (Aesthetics)Arts, Modern20th centuryArts, Modern21st centuryArts, ModernfastAvant-garde (Aesthetics)fastAvant-garde (Aesthetics)Arts, ModernArts, ModernArts, Modern.Avant-garde (Aesthetics)111.8520.30bclScheunemann Dietrich1800354NL-LeKBNL-LeKBBOOK9910974735203321Avant-garde4431418UNINA