01069nam a2200265 i 450099100226900970753620020503163312.0000704s1977 it ||| | ita b10340312-39ule_instEXGIL101066ExLBiblioteca Interfacoltàita947Dellacasa, Gianfranco244952La controrivoluzione sconosciuta :problemi delle rivoluzioni russe dell'URSS e del movimento comunista internazionale dal 1905 a Khruscev /Gianfranco DellacasaMilano :Jaca book,1977718 p. ;23 cm.Di fronte e attraverso ;19Partiti comunistiStoria1917-1964Unione SovieticaPolitica1905-1964.b1034031221-02-1727-06-02991002269009707536LE002 St. XVII C 412002000711762le002-E0.00-l- 00000.i1039939227-06-02Controrivoluzione sconosciuta199146UNISALENTOle00201-01-00ma -itait 3103357nam 2200709Ia 450 991097394340332120240417032408.09781438432311143843231397814416869611441686967(CKB)2670000000090141(OCoLC)710993092(CaPaEBR)ebrary10573992(SSID)ssj0000469161(PQKBManifestationID)11288775(PQKBTitleCode)TC0000469161(PQKBWorkID)10510344(PQKB)11351235(MiAaPQ)EBC3407131(MdBmJHUP)muse1704(Au-PeEL)EBL3407131(CaPaEBR)ebr10573992(DE-B1597)682043(DE-B1597)9781438432311(Perlego)2671727(EXLCZ)99267000000009014120100112d2011 uy 0engurcn|||||||||txtccrFigures of simplicity sensation and thinking in Kleist and Melville /Birgit Mara Kaiser1st ed.Albany State University of New York Pressc20111 online resource (172 p.) SUNY series, intersections: philosophy and critical theoryBibliographic Level Mode of Issuance: Monograph9781438432298 1438432291 Includes bibliographical references (p. 139-145) and index.Introduction: on subterranean connections -- Aesthetics: sensation and thinking reconsidered -- Sentimentalities -- Affectivity -- Insistence.Figures of Simplicity explores a unique constellation of figures from philosophy and literature—Heinrich von Kleist, Herman Melville, G. W. Leibniz, and Alexander Baumgarten—in an attempt to recover alternative conceptions of aesthetics and dimensions of thinking lost in the disciplinary narration of aesthetics after Kant. This is done primarily by tracing a variety of "simpletons" that populate the writings of Kleist and Melville. These figures are not entirely ignorant, or stupid, but simple. Their simplicity is a way of thinking; one that author Birgit Mara Kaiser here suggests is affective thinking. Kaiser avers that Kleist and Melville are experimenting in their texts with an affective mode of thinking, and thereby continue, she argues, a key line within eighteenth-century aesthetics: the relation of rationality and sensibility. Through her analyses, she offers an outline of what thinking can look like if we take affectivity into account.Intersections (Albany, N.Y.)Comparative literatureAmerican and GermanComparative literatureGerman and AmericanSenses and sensation in literatureThought and thinking in literatureComparative literatureAmerican and German.Comparative literatureGerman and American.Senses and sensation in literature.Thought and thinking in literature.813/.3Kaiser Birgit Mara1794333MiAaPQMiAaPQMiAaPQBOOK9910973943403321Figures of simplicity4364669UNINA