05204nam 2200949Ia 450 991097361640332120200520144314.09780511192890051119289497811391645731139164570978131608542413160854229781280477638128047763697805111950200511195028978051119568605111956809780511193590051119359997805113140700511314078978051119433705111943312027/heb07584(CKB)1000000000353995(EBL)259859(OCoLC)171138709(SSID)ssj0000106272(PQKBManifestationID)11128653(PQKBTitleCode)TC0000106272(PQKBWorkID)10106661(PQKB)10518246(UkCbUP)CR9781139164573(Au-PeEL)EBL259859(CaPaEBR)ebr10130448(CaONFJC)MIL47763(OCoLC)935232573(EbpS)27RY(MiAaPQ)EBC259859(dli)HEB07584(MiU)MIU01000000000000007428602(EXLCZ)99100000000035399520030625d2004 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierAs you like it /edited by Cynthia Marshall1st ed.Cambridge, UK ;New York Cambridge University Press20041 online resource (xxii, 262 pages) digital, PDF file(s)Shakepeare in productionTitle from publisher's bibliographic system (viewed on 26 Aug 2019).9780521786492 0521786495 9780521781374 052178137X Includes bibliographical references (p. 247-256) and index.SERIES EDITORS' PREFACE; ACKNOWLEDGEMENTS; ABBREVIATIONS; PRODUCTIONS; INTRODUCTION; Peculiarities of the play as a performance piece; Seventeenth century; Charles Johnson's 'Love in a Forest'; Eighteenth century: romping actresses and the struggle for decorum; Dora Jordan: 'spirit of enjoyment'; Into the nineteenth century: opera, spectacle, and a new Rosalind; Kemble's revisions; Macready's restorations; Helena Faucit: Rosalind 'ethereally embodied'; Charles Kean and the growth of pictorial stagingCharlotte Cushman: a Tiresian Ganymede Samuel Phelps and the conventional Jaques; Victorian excesses; Scenic illusionism: Hare-Kendal's stage grass and Sullivan's stuffed stag; Moral entertainment; The feminine ideal; Other Rosalinds; Augustin Daly's triumph; Turn of the century: transition to a freer Arden; Oscar Asche's greenhouse; Nigel Playfair's break with scenic illusionism; Open-air Arden; The play settles in; Early film versions; Foreign productions; Vanessa Redgrave: 'a Rosalind to remember'; Clifford Williams: sexless love; Experiments in the 1960's and 1970's; BBC televisionPeter Stein's journey to Arden Adrian Noble and gender-bending in the 1980's; Christine Edzard's dystopic Arden; Cheek by Jowl; Shakespeare's Globe; LIST OF CHARACTERS; AS YOU LIKE IT; ACT 1, SCENE 1; ACT 1, SCENE 2; ACT 1, SCENE 3; ACT 2; ACT 3, SCENE 1; ACT 3, SCENE 2; ACT 3, SCENE 3; ACT 3, SCENE 4; ACT 3, SCENE 5; ACT 3, SCENE 6; ACT 4, SCENE 1; ACT 4, SCENE 2; ACT 4, SCENE 3; ACT 5, SCENE 1; ACT 5, SCENE 2; ACT 5, SCENE 3; ACT 5, SCENE 4; [EPILOGUE]; BIBLIOGRAPHY; INDEXAs You Like It has sometimes seemed a subversive play that exposes the instability of gender roles and traditional values. In other eras it has been prized - or derided - as a reliable celebration of conventional social mores. The play's ability to encompass these extremes tells an interesting story about changing cultural and theatrical practices. This edition provides a detailed history of the play in production, both on stage and on screen. The introduction examines how changing conceptions of gender roles have affected the portrayal of Rosalind, one of Shakespeare's greatest comic heroines. The striking differences between the British tradition and the freer treatment the play has received abroad are discussed, as well as the politics of court versus country. The commentary, printed alongside the New Cambridge Shakespeare edition of the text, draws on primary sources to illuminate how costuming, stage business, design, and directorial choices have shaped the play in performance.Shakespeare in production.Fathers and daughtersDramaExilesDramaComedyFathers and daughtersExilesComedy.822.3/3Shakespeare William1564-1616.132200Marshall Cynthia1791309MiAaPQMiAaPQMiAaPQBOOK9910973616403321As you like it4328456UNINA05584oam 22009494a 450 991048201230332120260720134356.00-7006-0439-1(CKB)5590000000429846(OCoLC)1227916147(MdBmJHUP)muse95562(oapen)https://directory.doabooks.org/handle/20.500.12854/93153(MiAaPQ)EBC32222993(Au-PeEL)EBL32222993(OCoLC)1531319156(oapen)doab93153(ODN)ODN0011120654(oapen)93153(EXLCZ)99559000000042984619990101d1991 uy 0engur|||||||nn|ntxtrdacontentcrdamediacrrdacarrierCritical Pluralism, Democratic Performance, and Community PowerPaul Schumaker1st ed.University Press of Kansas1991Lawrence, Kan. :Univ. Pr. of Kansas,1991.©1991.1 online resource (XVIII, 258) DiagrammeStudies in government and public policy0-7006-3118-6 9780700631681 Cover -- Series Page -- Title Page -- Dedication -- List of Tables and Figures -- List of Acronyms -- Preface -- 1. Evaluating Democratic Performance in Community Policymaking -- 2. Three Ideals of Pluralist Democracy -- 3. A Comparative Analysis of Twenty-nine Lawrence Issues -- 4. Competing Principles and Urban Ideologies -- 5. Challenging Existing Institutions and Leadership -- 6. Developing the Local Economy -- 7. Protecting the Neighborhoods -- 8. Restricting Individual Choices -- 9. Providing Public Services and Welfare -- 10. Saving the Downtown -- 11. Political Culture: Principles, Preferences, and Policies -- 12. Political Power: Participants, Citizens, and Democracy -- 13. Political Justice: Divisions, Standings, and Complex Equality -- 14. Critical Pluralism and the Rules of the Game -- Appendix: Determining the Principles at Stake on Concrete Issues -- Notes -- References -- Index -- Back Cover.A central question in political science is who governs and how.Typically political scientists attempt to answer this question by relying upon either empirical analysis, which explains existing political practices, or normative analysis, which prescribes ideal political practices.Political scientist Paul Schumaker rejects this distinction between empirical and normative theory. Instead, he weds the two approaches to create the new analytical mode he calls critical pluralism. With it he can measure variances in government from pluralist/democratic ideals and still provide theoretical explanations of why the variances occurred.Schumaker uses critical pluralism to describe, explain, and evaluate variations in three key measures of democratic performance: responsible representation, complex equality, and principlepolicy congruence. To test his framework and methodology he analyzes 29 community issues that arose in Lawrence, Kansas, between 1977 and 1987. The results of his study—one of the most comprehensive databases ever in the study of community politics—will be of interest to those who study community power. The conceptual framework itself and methodology used in assessing democratic performance will have a lasting impact on the way community government is studied.Studies in Government and Public Policy SeriesEntscheidungsprozessgndGemeindeverwaltunggndFallstudiensammlunggndGemeindedemokratieUSAidsbbGemeindedemokratieKanadaidsbbGemeindeEntscheidung (Politik)KanadaidsbbEntscheidung(Politik)GemeindeKanadaidsbbGemeindeEntscheidung (Politik)USAidsbbEntscheidung(Politik)GemeindeUSAidsbbRepresentative government and representationfast(OCoLC)fst01094941Municipal governmentfast(OCoLC)fst01029299Cultural pluralismfast(OCoLC)fst01715991Community powerfast(OCoLC)fst00871135Representative government and representationUnited StatesCase studiesMunicipal governmentUnited StatesCase studiesCultural pluralismUnited StatesCase studiesCommunity powerCase studiesUnited StatesgndUnited StatesfastCase studies.Entscheidungsprozess.Gemeindeverwaltung.Fallstudiensammlung.GemeindedemokratieGemeindedemokratieGemeindeEntscheidung (Politik)Entscheidung(Politik)GemeindeGemeindeEntscheidung (Politik)Entscheidung(Politik)GemeindeRepresentative government and representation.Municipal government.Cultural pluralism.Community power.Representative government and representationMunicipal governmentCultural pluralismCommunity power320.8/09781/65Schumaker Paul1022522MdBmJHUPMdBmJHUPBOOK9910482012303321Critical Pluralism, Democratic Performance, and Community Power2428850UNINA