02952nam 2200721 a 450 991097339870332120240516051311.09786613097606978128309760412830976059780226350400022635040110.7208/9780226350400(CKB)2560000000072803(EBL)686254(OCoLC)719383032(SSID)ssj0000469514(PQKBManifestationID)12187393(PQKBTitleCode)TC0000469514(PQKBWorkID)10511158(PQKB)10956979(StDuBDS)EDZ0000122472(MiAaPQ)EBC686254(DE-B1597)523753(OCoLC)722726851(DE-B1597)9780226350400(Au-PeEL)EBL686254(CaPaEBR)ebr10468493(CaONFJC)MIL309760(Perlego)1851187(EXLCZ)99256000000007280320070202d2007 uy 0engur|n|---|||||txtccrGenre in popular music /Fabian Holt1st ed.Chicago University of Chicago Press20071 online resource (238 p.)Description based upon print version of record.9780226350394 0226350398 9780226350370 0226350371 Includes bibliographical references and index."The Jeff Parker discography": p. 181-183.Roots and refigurations -- Double session I : Reactions to rock -- A model of genre transformation -- Country music and the Nashville sound -- Jazz and jazz-rock fusion -- Double session II : Urban boundaries -- Jeff Parker and the Chicago jazz scene -- A closer look at Jeff Parker and his music -- Music at American borders.The popularity of the motion picture soundtrack O Brother, Where Art Thou? brought an extraordinary amount of attention to bluegrass, but it also drew its share of criticism from some aficionados who felt the album's inclusion of more modern tracks misrepresented the genre. This soundtrack, these purists argued, wasn't bluegrass, but "roots music," a new and, indeed, more overarching category concocted by journalists and marketers. Why is it that popular music genres like these and others are so passionately contested? And how is it that these genres emerge, coalesce, changPopular musicUnited StatesHistory and criticismPopular music genresPopular musicHistory and criticism.Popular music genres.781.64Holt Fabian1802261MiAaPQMiAaPQMiAaPQBOOK9910973398703321Genre in popular music4354012UNINA