04284nam 2200637Ia 450 991097329700332120240418054728.097802992929350299292932(CKB)2550000001107274(OCoLC)852160116(CaPaEBR)ebrary10729506(SSID)ssj0000950903(PQKBManifestationID)12406180(PQKBTitleCode)TC0000950903(PQKBWorkID)10881541(PQKB)10301885(MiAaPQ)EBC3445344(MdBmJHUP)muse25294(Au-PeEL)EBL3445344(CaPaEBR)ebr10729506(CaONFJC)MIL504328(Perlego)4386125(EXLCZ)99255000000110727420120910d2013 ub 0engurcn|||||||||txtccrTrue songs of freedom Uncle Tom's cabin in Russian culture and society /John MacKay1st ed.Madison University of Wisconsin Pressc20131 online resource (174 p.) Bibliographic Level Mode of Issuance: Monograph9780299292942 0299292940 9781299730779 1299730779 Includes bibliographical references and index.Intro -- Contents -- Illustrations -- Acknowledgments -- Historical Timeline -- Introduction -- 1. Before Emancipation -- 2. After Serfdom, before October -- 3. The Early Soviet Period (to 1945) -- 4. Uncle Tom, Cold Warrior -- Coda: Tom, Meet Scarlett -- Conclusion -- Appendix: Summary of Uncle Tom's Cabin -- Notes -- Bibliography -- Index.Harriet Beecher Stowe's 1852 antislavery novel Uncle Tom's Cabin was the nineteenth century's best-selling novel worldwide; only the Bible outsold it. It was known not only as a book but through stage productions, films, music, and commercial advertising as well. But how was Stowe's novel-one of the watershed works of world literature-actually received outside of the American context? True Songs of Freedom explores one vital sphere of Stowe's influence: Russia and the Soviet Union, from the 1850s to the present day. Due to Russia's own tradition of rural slavery, the vexed entwining of authoritarianism and political radicalism throughout its history, and (especially after 1945) its prominence as the superpower rival of the United States, Russia developed a special relationship to Stowe's novel during this period of rapid societal change. Uncle Tom's Cabin prompted widespread reflections on the relationship of Russian serfdom to American slavery, on the issue of race in the United States and at home, on the kinds of writing appropriate for children and peasants learning to read, on the political function of writing, and on the values of Russian educated elites who promoted, discussed, and fought over the book for more than a century. By the time of the Soviet Union's collapse in 1991, Stowe's novel was probably better known by Russians than by readers in any other country. John MacKay examines many translations and rewritings of Stowe's novel; plays, illustrations, and films based upon it; and a wide range of reactions to it by figures famous (Leo Tolstoy, Ivan Turgenev, Marina Tsvetaeva) and unknown. In tracking the reception of Uncle Tom's Cabin across 150 years, he engages with debates over serf emancipation and peasant education, early Soviet efforts to adapt Stowe's deeply religious work of protest to an atheistic revolutionary value system, the novel's exploitation during the years of Stalinist despotism, Cold War anti-Americanism and antiracism, and the postsocialist consumerist ethos. American literatureHistory and criticismRussiaIntellectual life1801-1917RussiaIntellectual life20th centurySoviet UnionIntellectual lifeAmerican literatureHistory and criticism.813/.3MacKay John(John Kenneth)818939MiAaPQMiAaPQMiAaPQBOOK9910973297003321True songs of freedom4355193UNINA