02088nam 2200421 u 450 991097323320332120250411152250.097802957513750295751371(CKB)28270001000041(MiAaPQ)EBC7289327(Perlego)4252941(EXLCZ)992827000100004120231018d2023 uy |engur|||||||||||txtrdacontentcrdamediacrrdacarrierNot Native American Art Fakes, Replicas, and Invented TraditionsSeattleUniversity of Washington Press20239780295751368 0295751363 Introduction: Of "Santa Fakes" and Other Illusions -- Authenticity and Its Discontents: What Is "Real" Native American Art? -- Cultural Cross-Dressers: A Long History of Imitating Indians -- Replication and Reproduction on the Great Plains of Nostalgia -- The Deliberate Forgery, the Accidental Fake, the Visual Fiction, and the Replica -- Cross-Cultural Replication and Native Revitalization: Techniques of Remembering -- Conclusion: Vexed Identities and the "Destruction of Mimicry" in the Twenty-First Century.The faking of Native American art objects has proliferated as their commercial value has increased, but even a century ago experts were warning that the faking of objects ranging from catlinite pipes to Chumash sculpture was rampant. Through a series of historical and contemporary case studies, Janet Catherine Berlo engages with troubling and sometimes confusing categories of inauthenticity.Not Native American ArtArt and societyUnited StatesCultural propertyUnited StatesIndian artNorth AmericaArt and societyCultural propertyIndian art704.03/97Janet Catherine Berlo1812379BOOK9910973233203321Not Native American Art4364780UNINA