02200nam 2200589 a 450 991097303930332120251117095731.00-300-14944-110.12987/9780300149449(CKB)2550000000104991(StDuBDS)BDZ0022171537(SSID)ssj0000721752(PQKBManifestationID)11956200(PQKBTitleCode)TC0000721752(PQKBWorkID)10692975(PQKB)11434587(StDuBDS)EDZ0000165612(MiAaPQ)EBC3420938(DE-B1597)484881(OCoLC)1024039981(DE-B1597)9780300149449(Au-PeEL)EBL3420938(CaPaEBR)ebr10579337(OCoLC)923599467(OCoLC)1024039981(EXLCZ)99255000000010499120091002d2010 uy 0engur|||||||||||txtccrShostakovich's preludes and fugues contexts, style, performance /Mark Mazullo1st ed.New Haven [Conn.] Yale University Pressc20101 online resource (1 online resource (xviii, 286 p.) ) ill., musicBibliographic Level Mode of Issuance: Monograph0-300-14943-3 Includes bibliographical references (p. 261-270), discography(p. 271-272), and index.pt. 1. Contexts -- pt. 2. The preludes and fugues -- pt. 3. The living work of art.This is the first book-length study of Shostakovich's Twenty-Four Preludes and Fugues for piano, Opus 87. Mark Mazullo explains the cultural context in which Shostakovich composed, relates the cycle to piano works (by Bach, Hindemith, and others), and offers individual commentaries on each of the Preludes and Fugues.MUSIC / GeneralbisacshMUSIC / General.786.2/18928Mazullo Mark1967-1889206MiAaPQMiAaPQMiAaPQBOOK9910973039303321Shostakovich's preludes and fugues4529284UNINA