01304oam 2200373 450 991071520000332120201214162403.0(CKB)5470000002508009(OCoLC)1225352894(EXLCZ)99547000000250800920201204d1986 ua 0engurbn|||||||||txtrdacontentcrdamediacrrdacarrierInadequate testing to detect failures of safety-related pneumatic components or systemsWashington, DC :United States Nuclear Regulatory Commission, Office of Inspection and Enforcement,1986.1 online resourceInformation notice ;no. 86-50"June 18, 1986."Nuclear power plantsPipingValvesTestingPneumatic control valvesNuclear power plantsPipingValvesTesting.Pneumatic control valves.U.S. Nuclear Regulatory Commission.Office of Inspection and Enforcement,GPOGPOOCLCOGPOBOOK9910715200003321Inadequate testing to detect failures of safety-related pneumatic components or systems3278706UNINA03225oam 2200817 a 450 991097296740332120161228114246.09786613582102978128048687612804868729780472028207047202820010.3998/mpub.3365636(CKB)3170000000046346(OCoLC)794493884(CaPaEBR)ebrary10556472(SSID)ssj0000601743(PQKBManifestationID)11409650(PQKBTitleCode)TC0000601743(PQKBWorkID)10566238(PQKB)11574144(MiAaPQ)EBC3415053(MdBmJHUP)muse9882(MiU)10.3998/mpub.3365636(Au-PeEL)EBL3415053(CaPaEBR)ebr10556472(CaONFJC)MIL358210(OCoLC)923505193(EXLCZ)99317000000004634620110919d2012 ub 0engurcn|||||||||txtccrPaul Robeson and the Cold War performance complex race, madness, activism /Tony Perucci1st ed.Ann Arbor :University of Michigan Press,c2012.1 online resource (232 p.)Theater: theory/text/performanceBibliographic Level Mode of Issuance: Monograph9780472071685 0472071688 9780472051687 0472051687 Includes bibliographical references (p. 199-213) and index.Introduction: the red mask of sanity -- Tonal treason and HUAC's psychoanalytic theater. Black performances and the stagecraft of statecraft -- Performing, informing, and shrieking innocence: surveillance, informance, and the performance of performance -- Discordant tones and the melody of freedom at Peekskill -- Anticommunism and the American lynching imagination -- Shedding blood and beating back fascists -- Staging anticommunism, staging racist violence -- Coda: the complex and the rupture.Two key performances by Paul Robeson shed light on the Cold War era.Theater--text/theory/performance.Performance artPolitical aspectsUnited StatesFreedom and artPolitical aspectsUnited StatesPolitics and cultureUnited StatesCold WarSocial aspectsUnited StatesRacismUnited StatesHistory20th centuryAnti-communist movementsUnited StatesHistory20th centuryUnited StatesRace relationsPerformance artPolitical aspectsFreedom and artPolitical aspectsPolitics and cultureCold WarSocial aspectsRacismHistoryAnti-communist movementsHistory782.0092Perucci Tony1864218Michigan Publishing (University of Michigan),MiUMiUBOOK9910972967403321Paul Robeson and the Cold War performance complex4470989UNINA