01074nam0 22002771i 450 RML028997820231121125735.020121121d1978 ||||0itac50 bafrechz01i xxxe z01n˜L'œexotisme américan dans la littérature française au 16. siècled'aprés Rabelais, Ronsard, Montaigne, etc.Gilbert ChinardGenève Slatkine 1978XVII, 246 p.22 cmRist. dell'ed. Parigi, 1911840Letteratura francese.21Chinard, GilbertRMLV187468180727ITIT-0120121121IT-FR0017 Biblioteca umanistica Giorgio ApreaFR0017 RML0289978Biblioteca umanistica Giorgio Aprea 52CIS 52VM 0000594055 VM barcode:000592057. - Inventario:9891 FLSVMA 2006031620121204 52Exotisme américan dans la littérature française au 16. siècle3627871UNICAS02916nam 22005654a 450 991097273330332120250604164804.0052092729X9780520927292(ebook)1597346675(CKB)111090529078494(EBL)224222(OCoLC)55857417(SSID)ssj0000176525(PQKBManifestationID)11170138(PQKBTitleCode)TC0000176525(PQKBWorkID)10206901(PQKB)10252907(StDuBDS)EDZ0000056032(MiAaPQ)EBC224222(EXLCZ)9911109052907849420011214d2002 ub 0engur|n|---|||||txtccrImages and empires visuality in colonial and postcolonial Africa /edited by Paul S. Landau and Deborah D. KaspinBerkeley :University of California Press,[2002]©20021 online resource (398 pages)Description based upon print version of record.0520229487 Includes bibliographical references (p. 337-369) and index.Illustrations; Preface; Acknowledgments; Introduction. An Amazing Distance: Pictures and People in Africa; 1. "Our Mosquitoes Are Not So Big": Images and Modernity in Zimbabwe; 2. The Sleep of the Brave: Graves as Sites and Signs in the Colonial Eastern Cape; 3. Tintin and the Interruptions of Congolese Comics; 4. Cartooning Nigerian Anticolonial Nationalism; 5. Empires of the Visual: Photography and Colonial Administration in Africa; 6. Portraits of Modernity: Fashioning Selves in Dakarois Popular Photography7. Mami Wata and Santa Marta: Imag(in)ing Selves and Others in Africa and the Americas8. "Captured on Film": Bushmen and the Claptrap of Performative Primitives; 9. Decentering the Gaze at French Colonial Exhibitions; 10. The Politics of Bushman Representations; 11. Omada Art at the Crossroads of Colonialisms; 12. Bad Copies: The Colonial Aesthetic and the Manjaco-Portuguese Encounter; Conclusion: Signifying Power in Africa; Bibliography; Contributors; IndexFigurative images have long played a critical, if largely unexamined, role in Africa--mediating relationships between the colonizer and the colonized, the state and the individual, and the global and the local. This pivotal volume considers the meaning and power of images in African history and culture.PostcolonialismAfricaAfricaColonizationPostcolonialism301/.096Landau Paul Stuart1962-Kaspin Deborah D.1953-MiAaPQMiAaPQMiAaPQBOOK9910972733303321Images and empires271892UNINA