01060nam a22002771i 450099100235492970753620030604150727.0030925s1938 it a||||||||||||||||ita b12277162-39ule_instARCHE-032473ExLBiblioteca InterfacoltàitaA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l.937Grazioli, Francesco Saverio178409Il genio militare di Cesare /Francesco Saverio Grazioli2. ed.[Roma] :Istituto di studi romani,193820 p., 2 c. di tav. :ill. ;25 cmQuaderni augustei.Studi italiani ;2Roma anticaStoriaSec. 1. a.C.Cesare, Caio Giulio.b1227716202-04-1408-10-03991002354929707536LE002 Busta A 5/1012002000759757le002-E0.00-l- 01010.i1266942808-10-03Genio militare di Cesare165263UNISALENTOle00208-10-03ma -itait 3105156nam 22007214a 450 991097244850332120200520144314.097812839045751283904578978141750123614175012359781846424021184642402X(CKB)111087028265894(EBL)290819(OCoLC)567903597(SSID)ssj0000165943(PQKBManifestationID)11151614(PQKBTitleCode)TC0000165943(PQKBWorkID)10147041(PQKB)11520439(MiAaPQ)EBC290819(Au-PeEL)EBL290819(CaPaEBR)ebr10064406(CaONFJC)MIL421707(Perlego)951782(EXLCZ)9911108702826589420030108d2003 uy 0engur|n|---|||||txtccrGroups in music strategies from music therapy /Merc?ed?es Pavlicevic1st ed.London ;New York Jessica Kingsley Publishers20031 online resource (254 p.)Description based upon print version of record.9781849854221 184985422X 9781843100812 1843100819 Includes bibliographical references (p. 239-245) and indexes.Groups in Music: Strategies from Music Therapy; Contents; List of Tables; List of Figures; Acknowledgements; Introduction: Music, Society and Shifting Music Therapy; Where does this book come from?; Who should use this book?; How does this book work (and play)?; Part I Planning: Thinking Ahead; 1. Planning Our Discourses; 1.1 What am I doing here 1 ?; 1.2 Professional territories: Having music in common; 1.3 Improvising our meanings; 1.4. How considered is your discourse?; 1.5 Re-meaning comfort zones; 2. Institutions, Idiosyncrasies and the Larger Picture2.1 Institutions as systems - with a bit of help from Systems Theory2.2 The first approach: Overt and covert mission, vision and values; 2.3 Staff, hierarchies and power; 2.4 Getting trapped; 2.5 Summing up; 3. In-groups, Out-groups, Norms and Membership; 3.1 Why spend so much time on this kind of planning?; 3.2 In-groups and out-groups; 3.3 Group membership: Being selective about selections?; 3.4 Group process: A brief introduction; 3.5 What kind of group? (How long, how short?); 3.5a The one-off group; 3.5b The short-term group; 3.5c The long-term group; 3.6 Setting norms3.7 Closed, open and semi-open groups3.7a The closed group; 3.7b The open group; 3.7c The semi-open group; 3.8 Re-grouping; 4. Instrumental Thinking and Sound Thoughts; 4.1 Sound advice; 4.2 Instrumental range and sound thinking; 4.3 Making links: People and instruments; 4.4 Making instruments; 4.5 Personal property; 4.6 Concluding notes; 5. On Being Formed by Music; 5.1 Music and society; 5.2 Working and playing cycles; 5.3 Owning the music; 5.4 Music and you!; 5.5 How predictable? How spontaneous? How structured?; 5.6 Musical structure (and group systems?); 5.7 Making links6. Considering the Music Space6.1 The pre-music space; 6.2 Tuning in to spaces; 6.3 How vital is the music space?; 6.4 Limits of time, place and person; 6.5 Final thoughts; 7. Aims, Tasks, Roles and the Outer Track; 7.1 Roles; 7.2 Your tasks; Divertimento: The inner track; 7.3 Group aims and briefs: Generally speaking; 7.4 External aims and briefs; 7.5 The inner track; 7.6 How clear are your aims? (and revisiting discourses); 7.7 To conclude: Keep track; Part II Executing: 'Doing'; 8. Forming Groups and Groups Forming: Quick time, music time and sound deeds; 8.1 On becoming a group8.2 In the mood - musical thinking8.3 On 'receiving' the persons; 8.4 Split-second Musicking; 8.5 Wrapping up; 9. Group Flow, Group Pulse - Finding the Groove; 9.1 Grouping asynchronies or falling apart?; 9.2 Learning from not-flowing; 9.3 Unflowing roles; 9.4 Concluding thoughts; 10. Whose Group? Whose Music? (and Whose Expectations?); 10.1 The cohesive group(s)?; 10.2 Whose session is this?; 10.3 The split focus; 10.4 The hidden group - outside; 10.5 The volunteer group; 10.6 Whose music?; 10.7 The concert performance; 10.8 Concluding rites; 11. Group Rituals11.1 Social rituals and group musicMusic therapist Mercédès Pavlicevic develops a broad-based discourse to describe, analyse and guide the practice of group musicking, drawing on her own extensive experience. The text is illustrated with vignettes drawn from a range of formal and informal settings. If you're involved in any kind of group musicking, this book is for you.Music therapySocial groupsMusic therapy.Social groups.615.8/5154Pavlicevic Mercedes946127MiAaPQMiAaPQMiAaPQBOOK9910972448503321Groups in music4362710UNINA01024nas 2200361 c 450 991089452840332120250513221217.0(CKB)3790000000118878(DE-599)ZDB2603857-2(OCoLC)725235742(OCoLC)713558265(DE-101)1011016192(EXLCZ)99379000000011887820110412a20029999 |y |gerur|||||||||||txtrdacontentcrdamediacrrdacarrierJahresbericht ... / Medizinische Hochschule Hannover, Herz-, Thorax-, Transplantations- und GefäßchirurgieAxel HaverichHannoverMHH2002-Gesehen am 09.01.2020JahresberichteZeitschriftgnd-content610Haverich Axel1953-ctb0354DE-1019001JOURNAL9910894528403321Jahresbericht415024UNINA