02435nam 2200625 a 450 991095696340332120240516204242.0(CKB)2550000000107815(EBL)976645(OCoLC)806204699(SSID)ssj0000948639(PQKBManifestationID)11561812(PQKBTitleCode)TC0000948639(PQKBWorkID)10951546(PQKB)10944120(MiAaPQ)EBC976645(Au-PeEL)EBL976645(CaPaEBR)ebr10580513(CaONFJC)MIL4763633(DE-B1597)731509(DE-B1597)9781608053643(EXLCZ)99255000000010781520120728d2012 uy 0engur|n|---|||||txtccrDimorphic fungi their importance as models for differentiation and fungal pathogenesis /edited by José Ruiz-Herrera1st ed.[Dubai, United Arab Emirates] Bentham eBooks[2012]1 online resource (150 p.)Description based upon print version of record.9781608055104 1608055108 9781608053643 1608053644 Includes bibliographical references and index.Cover; Tile; EUL; Dedication; Contents; Foreword; Preface; List of Contributors; Chapter 01; Chapter 02; Chapter 03; Chapter 04; Chapter 05; Chapter 06; Chapter 07; Chapter 08; indexThis e-book includes several chapters on the most important and studied fungal models, written by specialists, discussing the biology of each species or genera, the general aspects controlling their dimorphic transition, the molecular aspects involved, the use of them as models for understanding the bases of biochemical and cell differentiation, and the importance of dimorphism in pathogenesis.Pathogenic fungiMedical mycologyPathogenic fungi.Medical mycology.615.7/92615.792Herrera José Ruiz, authttp://id.loc.gov/vocabulary/relators/aut1801972Ruiz-Herrera José1801973MiAaPQMiAaPQMiAaPQBOOK9910956963403321Dimorphic fungi4347472UNINA04281nam 2200601 a 450 991097202330332120240417232255.097808143355980814335594(CKB)2550000000048094(OCoLC)755622556(CaPaEBR)ebrary10499889(SSID)ssj0000566490(PQKBManifestationID)11354565(PQKBTitleCode)TC0000566490(PQKBWorkID)10552839(PQKB)10331335(MiAaPQ)EBC3416383(MdBmJHUP)muse10995(Au-PeEL)EBL3416383(CaPaEBR)ebr10499889(OCoLC)923510172(MiAaPQ)EBC31349230(Au-PeEL)EBL31349230(Perlego)4160524(EXLCZ)99255000000004809420081201d2009 uy 0engurcn|||||||||txtccrAngel /Stacey Abbott1st ed.Detroit Wayne State University Pressc20091 online resource (133 p.) TV milestonesBibliographic Level Mode of Issuance: Monograph9780814333198 0814333192 Includes bibliographical references and index.Introduction: A seminal show canceled by the idiot networks -- Grrr aaargh! The collective vision of mutant enemy -- Creeped out and comforted at the same time: the generic hybridity of Angel -- Does giant tentacle spew come out with dry cleaning? Angel and tv horror -- Cavemen vs. astronauts--weapons to be determined: Angel, masculinity, and male friendship -- It's a little outside the box: how Angel breaks the rules.Examines the innovative approach to genre, aesthetics, narrative, and the representation of masculinity in the television series Angel. Following the phenomenal success of the first three seasons of Buffy the Vampire Slayer on the WB Network, writers and producers Joss Whedon and David Greenwalt moved their character Angel to his own spin-off series in 1999. While Angel, which followed its namesake vampire with a soul who had become Buffy's tragic love interest, never quite matched the popularity of Buffy, the spin-off was notable for being specifically aimed at adult audiences and acquiring an intensely loyal following. In this in-depth study of Angel, Stacey Abbott demonstrates that producers of the show used the commercial convention of the spin-off not simply to repeat Buffy's successful formula but to create a complex televisual experience with its own distinct identity and creativity. Through close textual analysis of a range of individual episodes, this volume focuses on the series' unique visual style and the ways it experiments with the conventions and form of television programming. Abbott clearly situates Angel within traditions of the horror genre on television and in so doing addresses how the horror genre has evolved to suit the changing landscape of contemporary television. She also challenges the tendency to attribute the success of contemporary cult television to a sole auteur by examining the contribution of Angel's writing team and addressing how contemporary television is characterized by a collective creativity. Finally, while there has been a vast amount of scholarly interest in Angel's parent show in terms of feminist issues, this volume positions Angel as a key text within gender and feminist studies that offers a clever deconstruction of contemporary masculinity. In all, Abbott argues that Angel uses narrative, genre, visual style, and theme to create an ambiguous moral landscape in which characters struggle to negotiate the correct path when the consequences of their actions are unknown. Fans of Angel and students and scholars of film and television studies will enjoy this thought-provoking analysis of the series. Contemporary approaches to film and television series.TV milestones.791.45/72Abbott Stacey1634045MiAaPQMiAaPQMiAaPQBOOK9910972023303321Angel4355852UNINA