00957nam0-22003011i-450-99000445293040332120150807111149.0000445293FED01000445293(Aleph)000445293FED0100044529319990604d1920----km-y0itay50------bafrey-------001yyUrbain VIIIet la rivalité de la France et de la Maison d'Autriche de 1631 à 1635Auguste LemanLilleR. GiardParisE. Champion1920XX, 621 p.26 cmMemoires et travauxDes facultés Catholiques de Lille16Urbanus <papa ; 8.>Politica1631-1635262.13Leman,Auguste<1879-1945>177523ITUNINARICAUNIMARCBK990004452930403321262.13 LEM 1R.Bibl. 6859/3137FLFBCFLFBCUrbain VIII544452UNINA03531nam 2200661Ia 450 991097169130332120200520144314.09780791484609079148460297814237396161423739612(CKB)1000000000458386(OCoLC)62751430(CaPaEBR)ebrary10594858(SSID)ssj0000230741(PQKBManifestationID)11187372(PQKBTitleCode)TC0000230741(PQKBWorkID)10197289(PQKB)11578104(MiAaPQ)EBC3408530(OCoLC)62348661(MdBmJHUP)muse6186(Au-PeEL)EBL3408530(CaPaEBR)ebr10594858(DE-B1597)684579(DE-B1597)9780791484609(Perlego)2672243(EXLCZ)99100000000045838620030912d2004 ub 0engurcn|||||||||txtccrPunk productions unfinished business /Stacy Thompson1st ed.Albany State University of New York Pressc20041 online resource (228 p.) SUNY series, interruptions--border testimony(ies) and critical discourse/sBibliographic Level Mode of Issuance: Monograph9780791461877 0791461874 Includes bibliographical references (p. 193-201) and index.Front Matter -- Contents -- Acknowledgments -- Abbreviations and Acronyms -- You Are Not What You Own -- Let's Make a Scene -- Punk Aesthetics and the Poverty of the Commodity -- Punk Economics and the Shame of Exchangeability -- Market Failure: Punk Economics, Early and Late -- Screening Punk -- Beyond Punk -- Notes -- References -- IndexStacy Thompson's Punk Productions offers a concise history of punk music and combines concepts from Marxism to psychoanalysis to identify the shared desires that punk expresses through its material productions and social relations. Thompson explores all of the major punk scenes in detail, from the early days in New York and England, through California Hardcore and the Riot Grrrls, and thoroughly examines punk record collecting, the history of the Dischord and Lookout! record labels, and 'zines produced to chronicle the various scenes over the years. While most analyses of punk address it in terms of style, Thompson grounds its aesthetics, and particularly its most combative elements, in a materialist theory of punk economics situated within the broader fields of the music industry, the commodity form, and contemporary capitalism. While punk's ultimate goal of abolishing capitalism has not been met, the punk enterprise that stands opposed to the music industry is still flourishing. Punks continue to create aesthetics that cannot be readily commodified or rendered profitable by major record labels, and punks remain committed to transforming consumers into producers, in opposition to the global economy's increasingly rapid shift toward oligopoly and monopoly.Punk culturePunk rock musicPunk culture.Punk rock music.306/.1Thompson Stacy1811380MiAaPQMiAaPQMiAaPQBOOK9910971691303321Punk productions4363218UNINA