00735nam0 2200241 450 00000146020181010105125.020000612d1977----km-y0itay50------baitaIT<<L'>>ordinamento del credito fra due crisi(1929/1973)a cura di Paolo VitaleBolognaIl Mulino1977391 p.22 cmTemi e discussioni2001Temi e discussioniBancheItaliaLegislazione1929-1973332Vitale,PaoloITUNIPARTHENOPERICAUNIMARC000001460NAVA4332.1553392820000727Ordinamento del credito fra due crisi682443UNIPARTHENOPE03629nam 22005414a 450 991097154730332120251117083113.01-282-59767-197866125976710-472-02574-0(CKB)2520000000006867(OCoLC)593295444(CaPaEBR)ebrary10371917(SSID)ssj0000415267(PQKBManifestationID)11296667(PQKBTitleCode)TC0000415267(PQKBWorkID)10410686(PQKB)11469561(MiAaPQ)EBC3414680(BIP)46255067(BIP)12654289(EXLCZ)99252000000000686720060130d2006 ub 0engur|||---|||||txtrdacontentcrdamediacrrdacarrierCultural conundrums gender, race, nation, and the making of Caribbean cultural politics /Natasha Barnes1st ed.Ann Arbor University of Michigan Pressc20061 online resource (233 p.)"Portions of the chapters in this book originally appeared in other publications, in earlier versions, and under previous titles"--Acknowledgments.0-472-06939-X Includes bibliographical references (p. 185-210) and index.Gender and Caribbean play -- The utopic popular -- The dystopic popular -- Reluctant matriarch.Cultural Conundrums investigates the passions of race, gender, and national identity that make culture a continually embattled public sphere in the Anglophone Caribbean today. Academics, journalists, and ordinary citizens have weighed in on the ideological meanings to be found in the minutiae of cultural life, from the use of skin-bleaching agents in the beauty rituals of working-class Jamaican women to the rise of sexually suggestive costumes in Trinidads Carnival. Natasha Barnes traces the use of cultural arguments in the making of Caribbean modernity, looking at the cultural performances of the Anglophone Caribbeancricket, carnival, dancehall, calypso, and beauty pageantsand their major literary portrayals. Barnes historicizes the problematic linkage of culture and nation to argue that Caribbean anticolonialism has given expressive culture a critical place in the regions identity politics. Her provocative readings of foundational thinkers C. L. R. James and Sylvia Winters will engender discussion and debate among the Caribbean intellectual community. This impressively interdisciplinary study will make important contributions to the fields of Afro-diaspora studies, postcolonial studies, literary studies, performance studies, and sociology. Postcolonial cultural criticism is celebrated for its mastery of generalization and condemned for its inability to historicize. Cultural Conundrums is unique in its ability to find a middle ground. It touches on some of the most important and contentious issues in the field. This book will account for why it was in those small islands that what we now call cultural studies was invented. --Simon Gikandi, Princeton University Natasha Barnes is Associate Professor of African American Studies and English at the University of Illinois at Chicago.Caribbean AreaSocial conditionsCaribbean AreaRace relations305.48/8009729Barnes Natasha1861826MiAaPQMiAaPQMiAaPQBOOK9910971547303321Cultural conundrums4468039UNINA