03457nam 2200697Ia 450 991097137150332120251116173818.01-134-34681-61-134-34682-41-280-30264-X97866103026420-203-08703-8(CKB)1000000000256307(EBL)3060488(SSID)ssj0000275209(PQKBManifestationID)11235428(PQKBTitleCode)TC0000275209(PQKBWorkID)10331964(PQKB)10506006(MiAaPQ)EBC3060488(MiAaPQ)EBC243368(Au-PeEL)EBL3060488(CaPaEBR)ebr10163425(CaONFJC)MIL30264(OCoLC)922956866(OCoLC)252762399(FlBoTFG)9780203087039(Au-PeEL)EBL243368(OCoLC)475963985(EXLCZ)99100000000025630720041008d2005 fy 0engur||####|||||txtccrWriting back to modern art after Greenberg, Fried, and Clark /Jonathan HarrisFirst edition.London Routledge20051 online resource (289 p.)Description based upon print version of record.0-415-32429-7 0-415-32428-9 Includes bibliographical references and index.""Book Cover""; ""Title""; ""Copyright""; ""Contents""; ""Illustrations""; ""Acknowledgements""; ""Introduction""; ""Chapter 1 Modernismâ€?s modern art""; ""Chapter 2 Pure formality""; ""Chapter 3 Pollock, or â€?abstractionâ€?""; ""Chapter 4 Cubismâ€?s complexities""; ""Chapter 5 The materials of seeing""; ""Chapter 6 Modernismâ€?s Manet""; ""Conclusion""; ""Notes""; ""Index""Here for the first time is a full-length study of the 'critical modernisms' of the three leading art writers of the second half of the twentieth century, which helps us build a better understanding of the development of modern art writing and its relation to the 'post-modern' in art and society since the 1970s. Focusing on canonical modern artists such as Manet, Cezanne, Picasso and Pollock, this book providesan important understanding of writing and criticism in modern art for all students and scholars of art theory and art history. Mainstay issues discussed include aesthetic evaluation, subjectivity and meaning in art and art writing. Jonathan Harris examines key discourses and identifies points of significant overlap as well as sharp disjunction between the critics. Developing the notions of 'good' and 'bad' complexity in modernist criticism, Writing Back to Modern Art creates ways for us to think outside of these discourses of value and meaning and helps us to look at the place that art writing holds in the latter twentieth century and beyond.Art criticismUnited StatesHistory20th centuryModernism (Art)Art, AbstractArt criticismHistoryModernism (Art)Art, Abstract.701.18097309045Harris Jonathan(Jonathan P.)555113MiAaPQMiAaPQMiAaPQBOOK9910971371503321Writing back to modern art1135895UNINA01257nas 2200373 c 450 991089399950332120260218111557.0(CKB)5280000000202697(DE-599)ZDB2879749-8(DE-101)1123083185(DE-599)2879749-8(EXLCZ)99528000000020269720170110a20089999 |y |engur|||||||||||txtrdacontentcrdamediacrrdacarrier˜Theœ transatlantic economyannual survey of jobs, trade and investment between the United States and EuropeCenter for Transatlantic Relations, Johns Hopkins University, Paul H. Nitze Sc hool of Advanced International StudiesWashington, DCCenter for Transatlantic Relations2008-Online-RessourceGesehen am 05.05.2020Zeitschriftgnd-content300330380Paul H. Nitze School of Advanced International Studies.Center for Transatlantic Relations,isb0206DE-1019001JOURNAL9910893999503321Transatlantic economy4271293UNINA