01619nam 2200373 n 450 99638404440331620221108035228.0(CKB)1000000000584598(EEBO)2248508062(UnM)99868958(EXLCZ)99100000000058459819940711d1658 uy |engurbn#|||a|bb|Comes facundus in via[electronic resource] The fellow-traveller through city and countrey. Among students and scholars at home and abroad. Furnished with short stories, and the choicest speeches of clean and innocent wit and mirth, for discourse or private entertainment in recreations or journeys. /By Democritus SecundusLondon, Printed for Hum. Robinson at the three Pigeons in S. Pauls Churchyard.1658[36], 309, [3] pDemocritus Secundus = Henry Edmundson.Divisional title pages: The fellow-traveller through city and countrey. Printed in the year, 1658 (a6r); The fellow-traveller in entercourse among students and scholars. Printed in the Year, 1658 (E8r).With a final leaf of errata.Annotation on Thomason copy: "Octob:".Reproduction of the original in the British Library.eebo-0018MaximsEarly works to 1800MaximsEdmundson Henry1607?-1659.1002808Cu-RivESCu-RivESCStRLINWaOLNBOOK996384044403316Comes facundus in via2304373UNISA01766nam 2200421Ia 450 991069611650332120071010135145.0(CKB)5470000002375650(OCoLC)173986822(EXLCZ)99547000000237565020071010d2007 ua 0engurmn|||||||||txtrdacontentcrdamediacrrdacarrierEnergy derivatives[electronic resource] preliminary views on energy derivatives trading and CFTC oversight : testimony before the Subcommittee on General Farm Commodities and Risk Management, Committee on Agriculture, House of Representatives /statement of Orice M. Williams[Washington, D.C.] :U.S. Govt. Accountability Office,[2007]16 pages digital, PDF fileTestimony ;GAO-07-1095 TTitle from title screen (viewed on Sept. 12, 2007)."For release ... July 12, 2007."Paper version available from: U.S. Govt. Accountability Office, 441 G St., NW, Rm. LM, Washington, D.C. 20548.Includes bibliographical references.Energy derivatives Derivative securitiesPetroleum industry and tradeDerivative securities.Petroleum industry and trade.Williams Orice M1382459United States.Congress.House.Committee on Agriculture.Subcommittee on General Farm Commodities and Risk Management.United States.Government Accountability Office.GPOGPOBOOK9910696116503321Energy derivatives3539669UNINA04152nam 2200733Ia 450 991097102370332120251116142452.01-134-87692-01-280-32159-80-203-42107-81-134-87693-90-415-09025-310.4324/9780203421079(CKB)111056485359948(EBL)170366(OCoLC)52079215(SSID)ssj0000152198(PQKBManifestationID)11158030(PQKBTitleCode)TC0000152198(PQKBWorkID)10321826(PQKB)10481011(MiAaPQ)EBC170366(CaSebORM)9780415090261(Au-PeEL)EBL170366(CaPaEBR)ebr10058069(CaONFJC)MIL32159(EXLCZ)9911105648535994819970207d1997 uy 0engur|n|---|||||txtrdacontentcrdacontentcrrdacarrierThe explicit body in performance /Rebecca Schneider1st editionLondon ;New York Routledge19971 online resource (249 pages)Description based upon print version of record.0-415-09026-1 0-203-30598-1 Includes bibliographical references (p. [213]-224) and index.Cover; The Explicit Body in Performance; Copyright; Contents; List of plates; Acknowledgments; Introduction; GHOST OF THE AVANT-GARDE; DESIRE AND THE SATIATE BODY; TWISTING THE MAP; 1 Binary terror and the body made explicit; RE-VAMPING THE GHOSTS OF MODERNISM; BESIDE HERSELF: POSTMODERN ARTISTS AND MODERN WHORES; EYE/BODY: CAROLEE SCHNEEMANN BESIDE HERSELF; 2 Logic of the twister, eye of the storm; IMPASSE: UNNATURAL ACTS; TWISTER: LOOKING INTO LOOKING OUT; 3 Permission to see; GENDER IN PERSPECTIVE: HAVE WE REALLY GONE BEYOND?; REFUSAL TO VANISHGHOSTLY HORRORS: LOOKING AT THE PAST, SEEING THROUGH THE BODY4 The secret's eye; NO ACCIDENT: COMMODITY BODIES; EMBODYING DISEMBODIMENT; RADICAL SEX ACTIVISM, SATIABILITY, AND THE COMMODITY; TWO-WAY STREETWALKERS; EXPLOSIVE LITERALITY; LITERAL SHROUDS AND DREAMSCAPE RE-INTERMENTS; 5 After us the savage goddess; SEEING BACK THROUGH; PRIMITIVE TECHNIQUES; DARK CONTINENCE: READING THE THRALL AND THE THREAT; DARK INCONTINENCE: UBU ROJ AND SAVAGE PRIMITMSM; DADA'S BIG DRUM: PRIMITIVISM AND THE PERFORMATIVE; HARD PRIMITMSM, BASE MATTER, AND THE BLIND SPOT; LITERAL PRIMITIVES; 6 Seeing the big showFIRST, A STORY ABOUT DOUBT THAT INCLUDES AREVE RBERATIONWHITE NOSTALGIA, AUTHENTICITY, AND THE SPLIT SUBJECT; SPIDER WOMAN: THE EARLY DAYS; VIGILANT REPETITIONS, THE COMIC TURN, AND COUNTER-MIMICRY; THE IRRUPTION OF ""REAL STUFF"" AND THE POLITIC OF SACRALITY; THE IRRUPTION OF GRANDMOTHERS AND THE REALITY OF DREAMS; Epilog: returning from the dead; Notes; Works Cited; IndexThe Explicit Body in Performance interrogates the avant-garde precedents and theoretical terrain that combined to produce feminist performance art. Among the many artists discussed are: * Carolle Schneemann * Annie Sprinkle * Karen Finley * Robbie McCauley * Ana Mendieta * Ann Magnuson * Sandra Bernhard * Spiderwoman Rebecca Schneider tackles topics ranging across the 'post-porn modernist movement', New Right censorship, commodity fetishism, perspectival vision, and primitivism. Employing diverse critical theories from Benjamin to Lacan to postcolonFeminism and the artsWomen in artPerformance artArts, Modern20th centuryWomen artistsPsychologyFeminism and the arts.Women in art.Performance art.Arts, ModernWomen artistsPsychology.704.9428Schneider Rebecca683196MiAaPQMiAaPQMiAaPQBOOK9910971023703321Explicit body in performance1262917UNINA