01249nam2-2200397---450-99000286855020331620080124125734.0972-8651-64-3000286855USA01000286855(ALEPH)000286855USA0100028685520070213d2004----km-y0itay50------baporPT||||||||001yy<<v.7.>> : Poesias eróticas, burlescas e satíricasBocageMem MartinsCaixotim2004LV, 245 p.24 cmObras Clássicas da Literatura PortuguesaSéculo XVIII2202001Obras Clássicas da Literatura PortuguesaSéculo XVIII22020010010002786202001Obra completaLetteratura portoghese860BOCAGE,Manuel Maria Barbosa du552200ITsalbcISBD990002868550203316II.6.COLL.3/220/77493 DSLLBKDSLLDSLL19020070213USA011643DSLL19020070222USA011238DSLL9020080124USA011257Poesias eróticas, burlescas e satíricas991005UNISA04082oam 2200745 a 450 991097060620332120241213162532.09781283952255128395225497817804280551780428057(CKB)2550000000089401(EBL)886887(OCoLC)777401484(SSID)ssj0000634468(PQKBManifestationID)12220776(PQKBTitleCode)TC0000634468(PQKBWorkID)10641018(PQKB)10002693(Au-PeEL)EBL886887(CaPaEBR)ebr10532469(CaONFJC)MIL426475(MiAaPQ)EBC886887(PPN)19727899X(ODN)ODN0000857900(FR-PaCSA)88835826(FRCYB88835826)88835826(EXLCZ)99255000000008940120110809h20112011 uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierEarly Italian painting /Joseph Archer Crowe & Giovanni Battista Cavalcaselle, Anna Jameson1st ed.2012New York :Parkstone Press International,2011.©20111 online resource (199 pages) color illustrationsArt of century collection"The following passages originally constituted sections of two books ... both written in 1864-one by Anna Jameson and the other by Giovanni Cavalcaselle and Arthur Crowe"--Note from the editor.Includes index.1-84484-848-5 Introduction : Something about pictures and painters -- Revival of art in Siena -- Fundamental difference between Sienese and Florentine art -- Early Christianity and art -- Memoirs of the early Italian painters. Guido da Siena -- Giovanni Cimabue -- Cimabue and the Ruccelai Madonna -- Duccio di Buoninsegna -- Ugolino di Nerio --Segna di Bonaventura -- Giotto di Bondone -- Pietro Cavallini -- The Campo Santo -- Andrea Orcagna -- Taddeo Gaddi -- Simone Martini (Simone Memmi) -- Conclusion."Vacillating between the majesty of the Greco-Byzantine heritage and the modernity forecasted by Giotto, Early Italian painting summarises the first steps that led to the Renaissance. Trying out new media, those first artists left frescoes for removable panels. If the sacred faces shock us novices, this distance was more than wanted during this era and in order to emphasise the divinity of the characters; it highlighted their divinity and comforted the sanctified with a background covered with gold leaves. The elegance of the line and the colour choice was combined to reinforce the symbolic choices. The half-confessed ultimate goal of the early Italian artists was to make the invisible ... visible. In this magnificent book, the author emphasises the importance that the rivalry between the Siennese and Florentine schools played for the evolution of art history. And the reader, in the course of these forgotten masterworks, will discover how, little by little, the sacred became incarnate and more human ... opening a discrete but definitive door through the use of anthropomorphism, as was cherished by the Renaissance."-- Publisher's websiteArt of century collection.Painting, ItalianPainting, MedievalItalyPainting, Italian.Painting, Medieval759.5ART015080bisacshCrowe J. A(Joseph Archer),1825-1896.207127Cavalcaselle G. B(Giovanni Battista),1819-1897.156805JamesonMrs.(Anna),1794-1860.1798756Crowe J. A(Joseph Archer),1825-1896.207127JamesonMrs.(Anna),1794-1860.1798756MiAaPQMiAaPQMiAaPQBOOK9910970606203321Early Italian painting4341693UNINA