01047nam0-22003371i-450-99000150924040332120040609151245.00075-8450000150924FED01000150924(Aleph)000150924FED0100015092420030905d2003----km-y0itay50------baengDEa---a---001yyProcesses with long-range correlationstheory and applicationsG. Rangarajan, M. Ding (Eds.)Berlin [etc.]Springerc2003xviii, 392 p.ill.24 cmLecture notes in physics621Meccanica statisticaDing,MingzhouRangarajan,GovindanINTERNATIONAL CONFERENCE ON LONG RANGE DEPENDENT STOCHASTIC PROCESSESBangalore2002ITUNINARICAUNIMARCBK99000150924040332121-260F7949FI1FI1Processes with long-range correlations376640UNINA01347nam--2200397---450-99000160819020331620090803094650.088-387-2154-8000160819USA01000160819(ALEPH)000160819USA0100016081920040427d2002----km-y0enga50------baitaITy|||z|||001yyFormulario del diritto del lavoro e delle societàrapporto di lavoro privato, pubblico impiego, forme dei contratti societariLibro 5. del codice civile ...Lucilla Nigro, Benito NigroRiminiMaggioli2002827 p.24 cm.1 CD-ROMLegale152001Legale15Diritto del lavoroFormulariSocietà <diritto e economia>Formulari344.4501NIGRO,Lucilla542814NIGRO,Benito253889ITsalbcISBD990001608190203316XXV.2.C 217 (IG III 1085)39760 G.XXV.2.C 217 (IG III)00132061BKGIUMARIA1020040427USA011348RENATO9020040722USA010904RSIAV49020090803USA010946Formulario del diritto del lavoro e delle società944866UNISA04632nam 2200577Ia 450 991097056870332120250829153954.01-282-56248-797866125624880-8135-4930-210.36019/9780813549309(CKB)2560000000014680(EBL)868530(OCoLC)638858491(SSID)ssj0000431125(PQKBManifestationID)11270765(PQKBTitleCode)TC0000431125(PQKBWorkID)10474179(PQKB)10137513(DE-B1597)529339(DE-B1597)9780813549309(MiAaPQ)EBC868530(EXLCZ)99256000000001468020090417d2010 ub 0engur||#||||||||txtccrWhose lives are they anyway? the biopic as contemporary film genre /Dennis Bingham1st ed.New Brunswick, NJ Rutgers University Press20101 online resource (445 p.)Description based upon print version of record.0-8135-4657-5 Includes bibliographical references and index.Front matter --Contents --Acknowledgments --Introduction: A Respectable Genre of Very Low Repute --1. Strachey’s Way, or All’s Well That Ends Welles --2. Rembrandt (1936) --3. Citizen Kane and the Biopic --4. Lawrence of Arabia: “But does he really deserve a place in here?” --5. Nixon, Oliver Stone, and the Unmaking of the Self-Made Man --6. Thirty Two Short Films About Glenn Gould: Ghost Picture --7. Ed Wood: The Biopic of Someone Undeserving --8. Spike Lee’s Malcolm X: Appropriation or Assimilation? --9. Raoul Peck’s Lumumba: Drama, Documentary, and Postcolonial Appropriation --10. Prologue --11. Superstar: The Karen Carpenter Story: Toying with the Genre --12. I Want to Live! Criminal Woman, Male Discourses --13. Barbra and Julie at the Dawning of the Age of Aquarius --14. Hacked: Gorillas in the Mist and Other Female Biopics of the 1980's --15. An Angel at My Table: Re-Framing the Female Biography --16. Erin Brockovich: Hollywood Feminist Revisionism, after a Fashion --17. Twenty-First-Century Women --18. I’m Not There: Some Conclusions on a Book Concerning Biopics --Works Cited --Index --About the AuthorThe biopic presents a profound paradox—its own conventions and historical stages of development, disintegration, investigation, parody, and revival have not gained respect in the world of film studies. That is, until now. Whose Lives Are They Anyway? boldly proves a critical point: The biopic is a genuine, dynamic genre and an important one—it narrates, exhibits, and celebrates a subject's life and demonstrates, investigates, or questions his or her importance in the world; it illuminates the finer points of a personality; and, ultimately, it provides a medium for both artist and spectator to discover what it would be like to be that person, or a certain type of person. Through detailed analyses and critiques of nearly twenty biopics, Dennis Bingham explores what is at their core—the urge to dramatize real life and find a version of the truth within it. The genre's charge, which dates back to the salad days of the Hollywood studio era, is to introduce the biographical subject into the pantheon of cultural mythology and, above all, to show that he or she belongs there. It means to discover what we learn about our culture from the heroes who rise and the leaders who emerge from cinematic representations. Bingham also zooms in on distinctions between cinematic portrayals of men and women. Films about men have evolved from celebratory warts-and-all to investigatory to postmodern and parodic. At the same time, women in biopics have been burdened by myths of suffering, victimization, and failure from which they are only now being liberated. To explore the evolution and lifecycle changes of the biopic and develop an appreciation for subgenres contained within it, there is no better source than Whose Lives Are They Anyway?Biographical filmsHistory and criticismMotion picturesBiographical filmsHistory and criticism.Motion pictures.791.43/65Bingham Dennis1954-1047349MiAaPQMiAaPQMiAaPQBOOK9910970568703321Whose Lives Are They Anyway2474861UNINA