02752oam 2200661I 450 991096998930332120251117092041.01-136-25291-61-283-64306-50-203-10522-21-136-25292-410.4324/9780203105221 (CKB)2670000000259360(EBL)1039280(OCoLC)813005314(SSID)ssj0000757510(PQKBManifestationID)12323564(PQKBTitleCode)TC0000757510(PQKBWorkID)10758940(PQKB)10348389(MiAaPQ)EBC1039280(Au-PeEL)EBL1039280(CaPaEBR)ebr10611628(CaONFJC)MIL395556(OCoLC)815653640(OCoLC)892431389(FINmELB)ELB134735(PPN)185142826(EXLCZ)99267000000025936020180706d2013 uy 0engur|n|---|||||txtccrAdapting Chekhov the text and its mutations /edited by J. Douglas Clayton and Yana Meerzon1st ed.New York :Routledge,2013.1 online resource (335 p.)Routledge advances in theatre and performance studies ;23Routledge advances in theatre and performance studies ;23Description based upon print version of record.1-138-93767-3 0-415-50969-6 Includes bibliographical references and index.pt. I. On categories, techniques, and methodologies of mutation -- pt. II. Chekhov in the post[ist] context -- pt. III. Performing Chekhov in radical mutations.This book considers the hundred years of re-writes of Anton Chekhov's work, presenting a wide geographical landscape of Chekhovian influences in drama. The volume examines the elusive quality of Chekhov's dramatic universe as an intricate mechanism, an engine in which his enigmatic characters exist as the dramatic and psychological ciphers we have been de-coding for a century, and continue to do so. Examining the practice and the theory of dramatic adaptation both as intermedial transformation (from page to stage) and as intramedial mutation, from page to page, the book prRoutledge advances in theatre and performance studies.891.72/3PER011000PER011020PER000000bisacshClayton J. Douglas1791818Meerzon Yana1132995FlBoTFGFlBoTFGBOOK9910969989303321Adapting Chekhov4489564UNINA