02631nam 2200505Ia 450 991096915860332120251116153427.097801953538150195353811(MiAaPQ)EBC7036170(CKB)24235100900041(MiAaPQ)EBC271452(MiAaPQ)EBC3052064(Au-PeEL)EBL3052064(CaPaEBR)ebr10142332(CaONFJC)MIL47014(OCoLC)922952756(Au-PeEL)EBL7036170(OCoLC)819509888(Au-PeEL)EBL271452(OCoLC)826492286(EXLCZ)992423510090004119980223d1999 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierFantasy pieces metrical dissonance in the music of Robert Schumann /Harald Krebs1st ed.New York Oxford University Press1999xiv, 290 p. musicIncludes bibliographical references (p. 275-281), glossary, list of cited works, and index.Nineteenth- and twentieth-century theories of metrical conflict -- Metrical consonance and dissonance : definitions and taxonomy -- Intermezzo I: Influences on Schumann's metrical style -- Metrical progressions and processes -- Intermezzo II: Metrical revisions -- Interactions of metrical dissonance with pitch structure, form, nd extramusical elements -- Intermezzo III: Performing metrical dissonances -- Carnaval des analyses -- Epilogue: Morning song.This book presents a theory of metrical conflict and applies it to the music of Schumann, thereby placing the composer's distinctive metrical style in full focus. It describes the various categories of metrical conflict that characterize Schumann's work, investigates how states of conflict are introduced and then manipulated and resolved in his compositions, and studies the interaction of such metrical conflict with form, pitch structure, and text. Throughout the text, Krebs intersperses his own theoretical assertions with Schumannesque dialogues between Florestan and Eusebius, who comment on the theory at hand while also discussing and illustrating relevant aspects of "their" metrical practices.Musical meter and rhythmMusical meter and rhythm.781.2/26/092Krebs Harald1955-1860315MiAaPQMiAaPQMiAaPQ9910969158603321Fantasy pieces4465092UNINA