03753nam 22006854a 450 991096825930332120251007135303.09780822343202082234320710.1515/9780822389224(CKB)2440000000014199(EBL)1169853(OCoLC)320536070(SSID)ssj0000390570(PQKBManifestationID)12109785(PQKBTitleCode)TC0000390570(PQKBWorkID)10450371(PQKB)11650285320536070(MiAaPQ)EBC1169853(DE-B1597)553547(DE-B1597)9780822389224(OCoLC)1136338158(Perlego)1458066(EXLCZ)99244000000001419920090508d2008 uy 0engur|n|---|||||txtccrBig ears listening for gender in jazz studies /edited by Nichole Rustin and Sherrie TuckerDurham Duke University Press20081 online resource (474 p.)Refiguring American musicDescription based upon print version of record.9780822389224 0822389223 9780822343363 0822343363 Includes bibliographical references and index.PART I. Rooting Gender in Jazz History. SEPARATED AT "BIRTH": SINGING AND THE HISTORY OF JAZZ / Lara Pellegrinelli. WITH LOVIE AND LIL: REDISCOVERING TWO CHICAGO PIANISTS OF THE 1920s / Jeffrey Taylor. GENDER, JAZZ, AND THE POPULAR FRONT / Monica Hairston. "THE BATTLE OF THE SAXES": GENDER, DANCE BANDS, AND BRITISH NATIONALISM IN THE SECOND WORLD WAR / Christina Baade. IDENTITY FOR SALE: GLENN MILLER, WYNTON MARSALIS, AND CULTURAL REPLAY IN MUSIC / Tracy McMullen -- PART II. Improvising Gender: Embodiment and Performance. FROM THE POINT OF VIEW OF THE PAVEMENT: A GEOPOLITICS OF BLACK DANCE / Jayna Brown. PERVERSE HYSTERICS: THE NOISY CRI OF LES DIABOLIQUES / Julie Dawn Smith. "BORN OUT OF JAZZ, YET EMBRACING ALL MUSIC": RACE, GENDER, AND TECHNOLOGY IN GEORGE RUSSELL'S LYDIAN CHROMATIC CONCEPT / Eric Porter. "BUT THIS MUSIC IS MINE ALREADY!": "WHITE WOMAN" AS JAZZ COLLECTOR IN THE FILM NEW ORLEANS (1947) / Sherrie Tucker. FITTING THE PART / Ingrid Monson -- PART III. Reimagining Jazz Representations. "BETTER A JAZZ ALBUM THAN LIPSTICK" (LIEBER JAZZPLATTE ALS LIPPENSTIFT): THE 1956 JAZZ PODIUM SERIES REVEALS IMAGES OF JAZZ AND GENDER IN POSTWAR GERMANY / Ursel Schlicht. EXCLUSION, OPENNESS, AND UTOPIA IN BLACK MALE PERFORMANCE AT THE WORLD STAGE JAZZ JAM SESSIONS / Joao H. Costa Vargas. "IT TAKES TWO PEOPLE TO CONFIRM THE TRUTH": THE JAZZ FICTION OF SHERLEY ANN WILLIAMS AND TONI CADE BAMBARA / Farah Jasmine Griffin. "BLOW, MAN, BLOW!": REPRESENTING GENDER, WHITE PRIMITIVES, AND JAZZ MELODRAMA THROUGH A YOUNG MAN WITH A HORN / Nichole T. Rustin. THE GENDERED JAZZ AESTHETICS OF THAT MAN OF MINE: THE INTERNATIONAL SWEETHEARTS OF RHYTHM AND INDEPENDENT BLACK SOUND FILM / Kristin McGeeCollection of essays on the role of gender in jazz studies.Refiguring American music.e-Duke books scholarly collection.JazzHistory and criticismJazzSocial aspectsJazzHistory and criticism.JazzSocial aspects.781.65082781.65082Rustin-Paschal Nichole1872133Tucker Sherrie1957-1804857MiAaPQMiAaPQMiAaPQBOOK9910968259303321Big ears4481181UNINA