01294nam0 2200313 i 450 RMG002573620231121125651.08834861930IT98-460 20160115d1997 ||||0itac50 baitaitz01i xxxe z01nCausa e contratto nella prospettiva storico-comparatistica2. Congresso internazionale ARISTECPalermo, 7-8 giugno 1995a cura di Letizia VaccaTorinoG. Giappichelli\1997!VII, 575 p.24 cm.Storia del diritto romanoFIRRMLC380150IVacca, LetiziaCFIV013417ARISTECRMGV008016070421470Associazione internazionale per la ricerca storico-giuridica e comparatisticaRMGV008017ARISTECITIT-0120160115IT-FR0098 Biblioteca Area Giuridico EconomicaFR0098 RMG0025736Biblioteca Area Giuridico Economica 53DSG 05/0254 53VM 0000214225 VM barcode:GIU0003812. - Inventario:1775VMA 2001042320121204 53Causa e contratto nella prospettiva storico-comparatistica704055UNICAS03256oam 2200601 c 450 991096797590332120260202090927.0978383827239938382723909783838272399(CKB)4100000007801715(MiAaPQ)EBC5782679(MiAaPQ)EBC5614023(Au-PeEL)EBL5614023(OCoLC)1090240365(Perlego)862206(ibidem)9783838272399(EXLCZ)99410000000780171520260202d2019 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierBeckett, Lacan and the Gaze /Llewellyn Brown, Paul Stewart1st ed.Hannoveribidem20191 online resource (625 pages)Samuel Beckett in Company69783838212395 3838212398 Includes bibliographical references and index.Intro -- Table of contents -- List of Illustrations -- Abbreviations and editions used for works by Beckett -- Acknowledgements -- Introduction -- 1 - The collapse of Collective Reality -- 2 - Mirrors and Frames -- 3 - Light and Darkness -- 4 - Doubles and Spectres -- 5 - Variants of an Ideal -- 6 - The Monad -- 7 - Seeing and Unseeing -- 8 - Technology and the Gaze -- Conclusion -- Bibliography -- Index.Forming a pair with the voice, the gaze is a central structuring element of Samuel Beckett’s creation. And yet it takes the form of a strangely impersonal visual dimension testifying to the absence of an original exchange of gazes capable of founding personal identity and opening up the world to desire. The collapse of conventional reality and the highlighting of seeing devices—eyes, mirrors, windows—point to the absence of a unified representation. While masks and closed spaces show the visible to be opaque and devoid of any beyond, light and darkness, spectres—manifestations without origin—reveal a realm beyond the confines of identity, where nothing provides a mediation with the seen, or sets it within perspective. Finally, Beckett’s use of the audio-visual media deepens his exploration of the irreducibly real part of existence that escapes seeing. This study systematically examines these essential aspects of the visual in Beckett’s creation. The theoretical elaborations of Jacques Lacan—in relation with corresponding developments in the history and philosophy of the visual arts—offer an indispensible framework to understand the imaginary not as representation, but as rooted in the fundamental opacity of existence.Samuel Beckett in company ;5.BeckettLacanLiteratureLiteraturBeckettLacanLiteratureLiteratur848.91409Brown Llewellynaut1178603Stewart PauledtMiAaPQMiAaPQMiAaPQBOOK9910967975903321Beckett, Lacan, and the gaze3993371UNINA