02480nam 2200649 a 450 991096732620332120240513211848.01-283-02052-197866130205290-19-971435-5(CKB)2560000000061055(EBL)665450(OCoLC)706136154(SSID)ssj0000469522(PQKBManifestationID)12124211(PQKBTitleCode)TC0000469522(PQKBWorkID)10511159(PQKB)10086625(Au-PeEL)EBL665450(CaPaEBR)ebr10453823(CaONFJC)MIL302052(OCoLC)463675809(FINmELB)ELB165885(MiAaPQ)EBC665450(EXLCZ)99256000000006105520091102d2011 uy 0engur|n|---|||||txtccrA geometry of music harmony and counterpoint in the extended common practice /Dmitri Tymoczko1st ed.New York Oxford University Press20111 online resource (469 p.)Oxford studies in music theoryDescription based upon print version of record.0-19-533667-4 Includes bibliographical references and index.pt. 1. Theory -- pt. 2. History and analysis.Most listeners prefer tonal music to atonal music, but what exactly is the difference between them? In this groundbreaking work, author Dmitri Tymoczko identifies five basic musical features that jointly contribute to the sense of tonality, and shows how these features recur throughout the history of Western music. Tymoczko creates for the reader a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz. A Geometry of Music provides an accessible introduction to Tymoczko's revolutionary geometrical approach to musiOxford studies in music theory.HarmonyCounterpointMusical analysisHarmony.Counterpoint.Musical analysis.781.2Tymoczko Dmitri1969-1851847MiAaPQMiAaPQMiAaPQBOOK9910967326203321A geometry of music4446206UNINA