03003nam 2200721 a 450 991096531280332120200520144314.09786611966577978128196657512819665769780226774572022677457010.7208/9780226774572(CKB)1000000000579457(EBL)408283(OCoLC)476228404(SSID)ssj0000157824(PQKBManifestationID)11163987(PQKBTitleCode)TC0000157824(PQKBWorkID)10145162(PQKB)10110033(MiAaPQ)EBC408283(DE-B1597)524524(OCoLC)1058370198(DE-B1597)9780226774572(Au-PeEL)EBL408283(CaPaEBR)ebr10266040(CaONFJC)MIL196657(Perlego)1842543(EXLCZ)99100000000057945720060919d2007 uy 0engur|n|---|||||txtccrFramed time toward a postfilmic cinema /Garrett Stewart1st ed.Chicago University of Chicago Press20071 online resource (311 p.)Cinema and modernityDescription based upon print version of record.9780226774169 0226774163 9780226774152 0226774155 Includes bibliographical references (p. 267-282) and index.Frontmatter -- Contents -- Acknowledgments -- Introduction : On Optical Allusion -- 1.Lexeme To Pixel : An Experiment In Narratography -- 2.Trick Beginnings And The European Uncanny -- 3. Out Of Body In Hollywood -- 4. Temportation -- 5.Vr From Cimnemonics To Digitime -- 6. Media Archaeology, Hermeneutics, Narratography -- Appendix: Precinematics; or, Reading the Narratogram -- Notes -- Terms -- IndexItalian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema's 1995 centenary, made more complex by the digital technology that has detached movies from their dependence on the sequential frames of the celluloid strip.Brilliantly interpreting dozens of recent films-from Being John Malkovich, Donnie Darko, and The Sixth Sense tCinema and modernity.Motion picturesSpace and time in motion picturesMotion pictures.Space and time in motion pictures.791.43/684Stewart Garrett552239MiAaPQMiAaPQMiAaPQBOOK9910965312803321Framed time4359078UNINA04379nam 2200649Ia 450 991096720920332120251117082719.00-429-92102-00-429-48202-71-283-07052-997866130705241-84940-636-710.4324/9780429482021 (CKB)2550000000032689(EBL)690042(OCoLC)723944332(SSID)ssj0000523323(PQKBManifestationID)11332664(PQKBTitleCode)TC0000523323(PQKBWorkID)10542463(PQKB)11698237(MiAaPQ)EBC690042(Au-PeEL)EBL690042(CaPaEBR)ebr10463844(OCoLC)1029247356(EXLCZ)99255000000003268920080609d2008 uy 0engur|n|---|||||txtccrThe I ching points of balance and cycles of change /Peggy Jones1st ed.London Karnac Books20081 online resource (269 p.)Description based upon print version of record.0-367-10620-5 1-85575-641-2 Includes bibliographical references (p. 243).COVER; CONTENTS; ACKNOWLEDGEMENTS; ABOUT THE AUTHOR; Introduction; 1. Ch'ien / The Creative, Heaven; 2. K'un / The Receptive, Earth; 3. Chun / Difficulty at the Beginning; 4. Mêng / Youthful Folly; 5. Hsu ̈ / Waiting (Nourishment); 6. Sung / Conflict; 7. Shih / The Army; 8. Pi / Holding Together (Union); 9. Hsiao Ch'u / The Taming Power of the Small; 10. Lu ̈ / Treading (Conduct); 11. T'ai / Peace; 12. P'i / Standstill; 13. T'ung Jên / Fellowship; 14. Ta Yu / Possession in Great Measure; 15. Ch'ien / Modesty; 16. Yu ̈ / Enthusiasm; 17. Sui / Following (Tracking)18. Ku / Work on What Has Been Spoiled (Decay)19. Lin / Approach; 20. Kuan / Contemplation (View); 21. Shih Ho / Biting Through; 22. Pi / Grace; 23. Po / Splitting Apart (Letting Go / Release); 24. Fu / Return (The Turning Point); 25. Wu Wang / Innocence (The Unexpected); 26. Ta Chu / The Taming Power of the Great; 27. I / Corners of the Mouth (Providing Nourishment); 28. Ta Kuo / Preponderance of the Great; 29. K'an / The Abysmal (Water) (The Deep, The Depths); 30. Li / The Clinging, Fire; 31. Hsien / Influence (Wooing); 32. Hêng / Duration; 33. Tun / Retreat34. Ta Chuang / The Power of the Great35. Chin / Progress; 36. Ming I / Darkening of the Light ('Wounding of the Bright'); 37. Chia Jên / The Family (The Clan); 38. K'uei / Opposition; 39. Chien / Obstruction; 40. Hsieh / Deliverance; 41. Sun / Decrease; 42. I / Increase; 43. Kuai / Breakthrough (Resoluteness); 44. Kou / Coming To Meet; 45. Ts'ui / Gathering Together; 46. Shêng / Pushing Upward; 47. K'un / Oppression (Exhaustion); 48. Ching / The Well; 49. Ko / Revolution (Moulting); 50. Ting / The Cauldron; 51. Chên / The Arousing, Thunder; 52. Kên / Keeping Still, Mountain53. Chien / Development (Gradual Progress)54. Kuei Mei / The Marrying Maiden; 55. Fêng / Abundance; 56. Lu ̈ / The Wanderer (The Outsider); 57. Sun / The Gentle (The Penetrating, Wind); 58. Tui / The Joyous, Lake; 59. Huan / Dispersion; 60. Chieh / Limitation; 61. Chung Fu / Inner Truth; 62. Hsiao Kuo / Preponderance of the Small; 63. Chi Chi / After Completion; 64. Wei Chi / Before Completion; Appendix A; Appendix B; Appendix C; Appendix D; Appendix E: The Grid; References"Among the many available versions of the I Ching, this new rendering by Jungian analyst Peggy Jones deserves a special place. It presents the wisdom of the ancient Chinese oracle in lucid, psychological language that speaks directly and insightfully to contemporary situations. Remaining faithful to the spirit of the original, Peggy Jones's I Ching guides us sagely in the task of maintaining psychological balance in a world of rapid change"--P. [4] of cover.DivinationChinaDivination133.30951133.33Jones Peggy1878296MiAaPQMiAaPQMiAaPQBOOK9910967209203321The I ching4490934UNINA