04414nam 2200553 a 450 991096644950332120251117083113.01-282-59760-497866125976020-472-02541-4(CKB)2520000000006826(OCoLC)651949853(CaPaEBR)ebrary10371914(SSID)ssj0000342243(PQKBManifestationID)11240197(PQKBTitleCode)TC0000342243(PQKBWorkID)10284178(PQKB)11416760(MiAaPQ)EBC3414678(BIP)46254060(BIP)14661540(EXLCZ)99252000000000682620070727d2008 ub 0engurcnu||||||||txtccrReframing screen performance /Cynthia Baron and Sharon Marie Carnicke1st ed.Ann Arbor University of Michigan Pressc20081 online resource (311 p.)Bibliographic Level Mode of Issuance: Monograph0-472-05025-7 Includes bibliographical references (p. 277-290) and index.Intro -- Contents -- Introduction -- Part I: Cinema's Varied Use of Gestures and Expressions -- 1. Crafting, Not Capturing "Natural" Behavior on Film -- 2. Giving Performance Elements Their Due -- 3. Thinking Systematically about Acting -- Part II: Performance Elements, Cinematic Conventions, and Cultural Traditions -- 4. Ostensive Signs and Performance Montage -- 5. Acting Choices and Changing Cinematic Conventions -- 6. Acting Styles and Cultural-Aesthetic Traditions -- Part III: Terms and Concepts from the Craft of Acting -- 7. Delsarte and the Dynamics of Human Expression -- 8. Laban: Temporal and Spatial Dimensions of Movement -- 9. Stanislavsky: Players' Actions as a Window into Characters' Interactions -- Conclusion -- Appendix: Case Study of Romeo and Juliet -- Notes -- Bibliography -- Index.A significant contribution to the literature on screen performance studies, Reframing Screen Performance brings the study of film acting up to date. It should be of interest to those within cinema studies as well as general readers. ---Frank P. Tomasulo, Florida State University Reframing Screen Performance is a groundbreaking study of film acting that challenges the long held belief that great cinematic performances are created in the editing room. Surveying the changing attitudes and practices of film acting---from the silent films of Charlie Chaplin to the rise of Lee Strasberg's Actor's Studio in the 1950s to the eclecticism found in contemporary cinema---this volume argues that screen acting is a vital component of film and that it can be understood in the same way as theatrical performance. This richly illustrated volume shows how and why the evocative details of actors' voices, gestures, expressions, and actions are as significant as filmic narrative and audiovisual design. The book features in-depth studies of performances by Anjelica Huston, John Cusack, and Julianne Moore (among others) alongside subtle analyses of directors like Robert Altman and Akira Kurosawa, Sally Potter and Orson Welles. The book bridges the disparate fields of cinema studies and theater studies as it persuasively demonstrates the how theater theory can be illuminate the screen actor's craft. Reframing Screen Performance brings the study of film acting into the twenty-first century and is an essential text for actors, directors, cinema studies scholars, and cinephiles eager to know more about the building blocks of memorable screen performance. Cynthia Baron is Associate Professor of Film Studies at Bowling Green State University and co-editor of More Than a Method: Trends and Traditions in Contemporary Film Performance. Sharon Carnicke is Professor of Theater and Slavic Studies and Associate Dean of Theater at the University of Southern California and author of Stanislavsky in Focus.Motion picture actingMotion picture acting.791.4302/8Baron Cynthia1954-1870580Carnicke Sharon Marie1949-1707638MiAaPQMiAaPQMiAaPQBOOK9910966449503321Reframing screen performance4479087UNINA