02652oam 2200649I 450 991096622670332120251117093234.01-136-53687-60-203-05567-51-299-14167-61-136-53680-910.4324/9780203055670(CKB)2670000000325971(DLC)2001048174(StDuBDS)AH24950508(SSID)ssj0000819805(PQKBManifestationID)11525992(PQKBTitleCode)TC0000819805(PQKBWorkID)10857055(PQKB)11004812(MiAaPQ)EBC1122985(Au-PeEL)EBL1122985(CaPaEBR)ebr10654279(CaONFJC)MIL445417(OCoLC)827207112(OCoLC)842965376(FINmELB)ELB138733(OCoLC)47689767(EXLCZ)99267000000032597120180706d2002 uy 0engur|||||||||||txtccrFrom tejano to tango Latin American popular music /edited by Walter Aaron Clark1st ed.New York Routledge2002New York :Routledge,2002.1 online resource (x, 286 p. )illBibliographic Level Mode of Issuance: Monograph0-8153-3639-X (OCoLC)47689767 0-8153-3640-3 Includes bibliographical references and index.Politics and identity, Argentina and Nicaragua -- Locality and interlocality, North America and Cuba -- Globalization and mass mediation, Brazil and Peru.Author of two books on Issac Albeniz, including Issac Albeniz: A Guide to Research (1998), Walter Aaron Clark has compiled thirteen essays that discuss the various aspects of Latin American music. The essays cover the social and political impact the music generated as well as the rhythmic development of the various genres. In this essential book, significant personalities, including Carmen Miranda, are discussed. The scope of the contributors is vast as divergent musical styles such as the Macarena dace craze, Bob Marley's reggae music and the seductive strains of the tango are analyzed.Popular musicLatin AmericaHistory and criticismPopular musicHistory and criticism.781.64/098Clark Walter Aaron930876MiAaPQMiAaPQMiAaPQBOOK9910966226703321From tejano to tango4483820UNINA