02762oam 2200661 a 450 991096622570332120240516142139.09781283952422128395242497817804280171780428014(CKB)2550000000089135(EBL)886932(OCoLC)778448857(SSID)ssj0000636876(PQKBManifestationID)12255494(PQKBTitleCode)TC0000636876(PQKBWorkID)10677609(PQKB)10128645(MiAaPQ)EBC886932(Au-PeEL)EBL886932(CaPaEBR)ebr10532468(CaONFJC)MIL426492(PPN)197278647(FR-PaCSA)88835822(FRCYB88835822)88835822(EXLCZ)99255000000008913520120315d2012 uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierImpressionism /Nathalia Brodskaïa1st ed.New York Parkstone International[2012?]1 online resource (255 pages) color illustrationsArt of century collectionDescription based upon print version of record.9781844847433 1844847438 Includes bibliographical references and index.CONTENTS; PREFACE; THE IMPRESSIONISTS AND ACADEMIC PAINTING; THE FIRST IMPRESSIONIST EXHIBITION; ÉDOUARD MANET; CLAUDE MONET; PIERRE AUGUSTE RENOIR; ALFRED SISLEY; CAMILLE PISSARRO; EDGAR DEGAS; BERTHE MORISOT; BIBLIOGRAPHY; INDEX"Ipaint what I see and not what it pleases others to see." What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the movement of Impressionism? Without a doubt this singularity was explained when, shortly before his death, Claude Monet wrote: "I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist."In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherentArt of century collection.Impressionism (Art)Impressionism (Art)Pictorial worksImpressionism (Art)Impressionism (Art)759.06Brodskai︠a︡ N. V(Natalʹi︠a︡ Valentinovna)863734MiAaPQMiAaPQMiAaPQBOOK9910966225703321Impressionism3944332UNINA