03651oam 2200577I 450 991046593180332120220221120706.097802315429750-231-54297-6(CKB)3710000000919831(MiAaPQ)EBC4723088(StDuBDS)EDZ0001666809(DE-B1597)478166(OCoLC)979621014(DE-B1597)9780231542975(Au-PeEL)EBL4723088(CaPaEBR)ebr11289275(CaONFJC)MIL972030(OCoLC)961454389(EXLCZ)99371000000091983120161109h20172017 uy 0engurcnu|||uuuuutxtrdacontentcrdamediacrrdacarrierFeasting Our Eyes Food Films and Cultural Identity in the United States /Laura Lindenfeld and Fabio ParasecoliLa Vergne, New York :Columbia University Press,2017.©20171 online resource (278 pages) illustrations, photographs0-231-17250-8 0-231-17251-6 Includes bibliographical references and index.Introduction -- 1. Food Films and Consumption: Selling Big Night -- 2. Autonomy in the Kitchen? Food Films and Post feminism -- 3. Magical Food, Luscious Bodies -- 4. Culinary Comfort: Th e Satiating Construction of Masculinity -- 5. When Weirdos Stir the Pot: Cooking Identity in Animated Movies -- 6. Consuming the Other: Food Films as Culinary Tourism -- Conclusion -- Notes -- Bibliography -- IndexBig Night (1996), Ratatouille (2007), and Julie and Julia (2009) are more than films about food-they serve a political purpose. In the kitchen, around the table, and in the dining room, these films use cooking and eating to explore such themes as ideological pluralism, ethnic and racial acceptance, gender equality, and class flexibility-but not as progressively as you might think. Feasting Our Eyes takes a second look at these and other modern American food films to emphasize their conventional approaches to nation, gender, race, sexuality, and social status. Devoured visually and emotionally, these films are particularly effective defenders of the status quo.Feasting Our Eyes looks at Hollywood films and independent cinema, documentaries and docufictions, from the 1990s to today and frankly assesses their commitment to racial diversity, tolerance, and liberal political ideas. Laura Lindenfeld and Fabio Parasecoli find women and people of color continue to be treated as objects of consumption even in these modern works and, despite their progressive veneer, American food films often mask a conservative politics that makes commercial success more likely. A major force in mainstream entertainment, American food films shape our sense of who belongs, who has a voice, and who has opportunities in American society. They facilitate the virtual consumption of traditional notions of identity and citizenship, reworking and reinforcing ingrained ideas of power.Food in motion picturesMotion picturesUnited StatesHistoryFoodSocial aspectsUnited StatesElectronic books.Food in motion pictures.Motion picturesHistory.FoodSocial aspects791.436564Lindenfeld Laura1031199Parasecoli FabioMiAaPQMiAaPQMiAaPQ9910465931803321Feasting Our Eyes2448455UNINA03874nam 2200685Ia 450 991096577650332120240313120356.09781283938068128393806597818496948341849694834(CKB)2670000000316900(EBL)1108347(OCoLC)823719177(SSID)ssj0000907628(PQKBManifestationID)12361232(PQKBTitleCode)TC0000907628(PQKBWorkID)10897927(PQKB)11353842(Au-PeEL)EBL1108347(CaPaEBR)ebr10642575(CaONFJC)MIL425056(PPN)228028051(FR-PaCSA)88850922(MiAaPQ)EBC1108347(FRCYB88850922)88850922(DE-B1597)723296(DE-B1597)9781849694834(EXLCZ)99267000000031690020130118d2012 uy 0engur|n|---|||||txtccrKeyShot 3D rendering showcase your 3D models and create hyperrealistic images with KeyShot in the fastest and most efficient way possible /Jei Lee Jo1st ed.Birmingham, UK Packt Pub.20121 online resource (125 p.)Community experience distilledIncludes index.9781849694827 1849694826 Cover; Copyright; Credits; About the Author; About the Reviewers; www.PacktPub.com; Table of Contents; Preface; Chapter 1: KeyShot's Overview; Introducing KeyShot; KeyShot versus traditional rendering programs; Getting started; Importing projects; The interface; Scene; Material; Material properties window; Environment; Environment properties window; Summary; Chapter 2: Understanding Materials and Textures; Placing and editing materials; Pad; Tablet case; Buttons; Transparent cover; Adding a label; USB cable; Wacom stylus; Understanding materials and their properties; Textures propertiesLabels tabHow to create materials; Plastics; Creating glass using plastic; Metals; Glass; Advanced; Texturing materials and methods; Summary; Chapter 3: Lighting Made Easy; Setting up our scene; Lighting properties; HDRI editor; Real-time settings; Working with cameras; Camera attributes; Insulated cup; Duplicating models; Summary; Chapter 4: Showcasing and Product Presentation; Preparing our project; Rendering in KeyShot; Output menu; Quality menu; Queue menu; Region menu; Network menu; Creating a turntable presentation; Summary; Chapter 5: Adding Effects with PhotoshopReplacing our backgroundSummary; Appendix: Command List and Hotkeys; Shortcuts menu; Files and documents; Toggling; Space and environment; Camera hotkeys; General hotkeys; Material hotkeys; Animation hotkeys; Real-time hotkeys; IndexThe book includes a series of step-by-step illustrated tutorials supported by a detailed explanation for each aspect of the 3D rendering procedure. Some of the procedures or steps may be omitted if they have been previously explained in an exercise or chapter. ""Keyshot 3D Rendering"" is ideal for beginners and professionals who are involved with product development, entertainment, and industrial design. It is recommended for readers who already have some level of experience with 3D modelling, texturing, and rendering applications.Three-dimensional imagingRendering (Computer graphics)Three-dimensional imaging.Rendering (Computer graphics)006.696Jo Jei Lee1796722MiAaPQMiAaPQMiAaPQBOOK9910965776503321KeyShot 3D rendering4338645UNINA